Kit de Waal Reads from Her Latest Release <em>Without Warning and Only Sometimes</em>

Kit de Waal Reads from Her Latest Release Without Warning and Only Sometimes

From Damian Barr’s Literary Salon Podcast

By Damian Barr's Literary Salon | August 31, 2022

Timothy Willis Sanders on Why It’s Difficult to Write From a Child’s Perspective

Timothy Willis Sanders on Why It’s Difficult to Write From a Child’s Perspective

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | August 31, 2022

The Tesla Story: Is Elon Musk Just an Accidental Footnote to the Company’s Remarkable Engineers and Workers?

The Tesla Story: Is Elon Musk Just an Accidental Footnote to the Company’s Remarkable Engineers and Workers?

Tim Higgins in Conversation with Andrew Keen on Keen On

By Keen On | August 31, 2022

Who Is <em>The Great Gilly Hopkins</em> for?

Who Is The Great Gilly Hopkins for?

This Week on the NewberyTart Podcast

By NewberyTart | August 31, 2022

<em>The Last White Man </em> by Mohsin Hamid, Read by Mohsin Hamid

The Last White Man by Mohsin Hamid, Read by Mohsin Hamid

A Reflection, and a Warning

By Behind the Mic | August 31, 2022

Closed Libraries and Fading Light: On Life in Kyiv, August 2022

Closed Libraries and Fading Light: On Life in Kyiv, August 2022

Hometown Dispatches from Myroslav Laiuk

By Myroslav Laiuk | August 30, 2022

Best Reviewed
Books of the Week

  • Transcription
  • London Falling: A Mysterious Death in a Gilded City and a Family's Search for Truth
  • Attention: Writing on Life, Art, and the World
  • The Oyster Diaries
  • Yesteryear
  • Here Where We Live Is Our Country: The Story of the Jewish Bund

From Surfboards to Seed Corn: How Society Creates Trends

By W. David Marx | August 30, 2022

The “Democratization” of Everything: On Conflating Democracy and the Market

By Jedediah Purdy | August 30, 2022

Dahlia Lithwick on the Destructive Power of the Supreme Court

By Keen On | August 30, 2022

How to Write a Book Without Getting in Your Own Way

How to Write a Book Without Getting in Your Own Way

Evan Puschak on the Constant Self-Battle of Drafting

By Evan Puschak | August 30, 2022

Mia Mercado on the Inherent Anxieties in Performing “Niceness”

Mia Mercado on the Inherent Anxieties in Performing “Niceness”

“When I’m nice, who am I being nice to? What am I being nice for?”

By Mia Mercado | August 30, 2022

<em>Three Thousand Years of Longing</em> Grants Few Wishes

Three Thousand Years of Longing Grants Few Wishes

George Miller’s New Adaptation Makes the Same Mistake as A.S. Byatt's Story

By Jonathan Russell Clark | August 30, 2022

On Saintliness and Despair in Ford Madox Ford’s <em>Parade’s End</em>

On Saintliness and Despair in Ford Madox Ford’s Parade’s End

Brian Hall Guests on the Lit Century Podcast

By Lit Century | August 30, 2022

Fetishizing Violence: Juniper Fitzgerald on Unlearning the Gothic Narrative

Fetishizing Violence: Juniper Fitzgerald on Unlearning the Gothic Narrative

Against Humbert Humberts, Draculas, and Vincents

By Juniper Fitzgerald | August 30, 2022

Anthony Marra on How Research Leads to Narrative Shape

Anthony Marra on How Research Leads to Narrative Shape

In Conversation with Christopher Hermelin on So Many Damn Books

By So Many Damn Books | August 30, 2022

<em>Bitter Orange Tree</em> by Jokha Alharthi, Translation by Marilyn Booth, Read by Raghad Chaar

Bitter Orange Tree by Jokha Alharthi, Translation by Marilyn Booth, Read by Raghad Chaar

A Mesmerizing Poetic Novel

By Behind the Mic | August 30, 2022

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