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From <em>Little Miss Sunshine</em> to <em>Nanny</em>: How Genre is Transforming Our Idea of the “Sundance Film”

From Little Miss Sunshine to Nanny: How Genre is Transforming Our Idea of the “Sundance Film”

Reuben Baron Considers a Trend in This Year's Festival Standouts

By Reuben Baron | February 7, 2022

Tara Westover on Rachel Cusk, Jennifer Egan, and <em>Madame Bovary</em>

Tara Westover on Rachel Cusk, Jennifer Egan, and Madame Bovary

Rapid-fire book recs from the author of Educated

By Book Marks | February 7, 2022

Inside the Strange World of the Meteorite Trade

Inside the Strange World of the Meteorite Trade

Greg Brennecka on Owning a Piece of Mars

By Greg Brennecka | February 7, 2022

The Case Against Civility in Politics

The Case Against Civility in Politics

Alex Zamalin on Effective Tools for Change

By Alex Zamalin | February 7, 2022

Lauren Groff on Yūko Tsushima’s Quietly Defiant Sensualities

Lauren Groff on Yūko Tsushima’s Quietly Defiant Sensualities

On Woman Running in the Mountains

By Lauren Groff | February 7, 2022

Liu Xinwu and the “Scar Literature” of China

Liu Xinwu and the “Scar Literature” of China

From the History of Literature Podcast with Jacke Wilson

By History of Literature | February 7, 2022

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

Death By Price Tag: The Commodities Bubble Explained

By Rupert Russell | February 7, 2022

Warren Ellis on Mementos of the Music World

By Big Table | February 7, 2022

Jeffrey Wasserstrom on Censorship and Translated Literature in China

By Underreported with Nicholas Lemann | February 7, 2022

On the Persistence of Magical Thinking in the Face of Grief

On the Persistence of Magical Thinking in the Face of Grief

Mary-Frances O’Connor Considers the Mutually Exclusive Truths Our Grieving Brains Can Hold

By Mary-Frances O'Connor | February 7, 2022

Who Gets to Define History?

Who Gets to Define History?

Part 2 of the Limited Series, Coming Home to the Cove

By Emergence Magazine | February 7, 2022

Christopher Leonard on How Quantitative Easing is Imperiling the US Economy

Christopher Leonard on How Quantitative Easing is Imperiling the US Economy

In Conversation with Andrew Keen on Keen On

By Keen On | February 7, 2022

“Secrets Really Power a Book.” A Conversation with Steven Schwartz

“Secrets Really Power a Book.” A Conversation with Steven Schwartz

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | February 7, 2022

<em>Anthem</em> by Noah Hawley, Read by Shiromi Arserio and Noah Hawley

Anthem by Noah Hawley, Read by Shiromi Arserio and Noah Hawley

An Action-Packed Thriller

By Behind the Mic | February 7, 2022

Is <em>Wonder Boys</em> the Best-Ever Onscreen Depiction of a Writer?

Is Wonder Boys the Best-Ever Onscreen Depiction of a Writer?

Ryan Chapman Revisits the Brilliance of the 2000 Adaptation of Michael Chabon’s Novel

By Ryan Chapman | February 4, 2022

The Deep Roots of Acting Philosophy Behind Frances McDormand’s Craft

The Deep Roots of Acting Philosophy Behind Frances McDormand’s Craft

Isaac Butler on Accessing Character’s Emotion

By Isaac Butler | February 4, 2022

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    • Adriane Leigh on Why We Are Living in the Age of the Unreliable NarratorJanuary 29, 2026 by Adriane Leigh
    • The Greatest Muckrakers of the Progressive EraJanuary 29, 2026 by Rob Osler
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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