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<em>Homicide and Halo-Halo</em> by Mia P. Manansala, Read by Danice Cabanela

Homicide and Halo-Halo by Mia P. Manansala, Read by Danice Cabanela

Return to Shady Palms with Lila Macapagal

By Behind the Mic | February 23, 2022

Sarah Weinman on the Not-So-Unlikely Friendship Between Vladimir Nabokov and William F. Buckley, Jr.

Sarah Weinman on the Not-So-Unlikely Friendship Between Vladimir Nabokov and William F. Buckley, Jr.

“What is bad for the Reds is good for me.”

By Sarah Weinman | February 22, 2022

Reading Myself Into, and Beyond, <em>Pride and Prejudice</em>

Reading Myself Into, and Beyond, Pride and Prejudice

Jane Pek on the Freedom of Choice in Love and Marriage

By Jane Pek | February 22, 2022

How Archivists Uncover the Clues to History

How Archivists Uncover the Clues to History

Isaac Fellman on Finding “Curiosity, Delight, Humor, and Desolation”

By Isaac Fellman | February 22, 2022

Of <em>Terminator</em> and Motherhood: Why My Mom’s Franchise Fandom Finally Makes Sense

Of Terminator and Motherhood: Why My Mom’s Franchise Fandom Finally Makes Sense

Aisling Walsh on Hope and Responsibility in a Bleak World

By Aisling Walsh | February 22, 2022

How Writing a Children’s Book is an Antidote to Doomsday Thinking

How Writing a Children’s Book is an Antidote to Doomsday Thinking

Ben Okri on Imagining the Impossible

By Ben Okri | February 22, 2022

Best Reviewed
Books of the Week

  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • The Hitch
  • Fly, Wild Swans: My Mother, Myself and China

Richard Wright on Carson McCullers’ The Heart is a Lonely Hunter

By Book Marks | February 22, 2022

Joy Lanzendorfer on the Gendered Double Standard of Ambition

By I'm a Writer But | February 22, 2022

Anna Holmes on the Radical Life of Margaret Wise Brown

By History of Literature | February 22, 2022

David Ulin on Joan Didion, California, Counterculture, and the Essay Form

David Ulin on Joan Didion, California, Counterculture, and the Essay Form

This Week from the Big Table Podcast with JC Gabel

By Big Table | February 22, 2022

Patrick Strickland on How the Citizens of a Small Arizona Border Town Stood Up to Anti-Immigrant Militias and Vigilantes

Patrick Strickland on How the Citizens of a Small Arizona Border Town Stood Up to Anti-Immigrant Militias and Vigilantes

In Conversation with Andrew Keen on Keen On

By Keen On | February 22, 2022

Julie Otsuka on Writing Memory Loss and the Power of the First-Person Plural

Julie Otsuka on Writing Memory Loss and the Power of the First-Person Plural

The Author of The Swimmers Talks to Jane Ciabattari

By Jane Ciabattari | February 22, 2022

Observing the Beautiful, Secret Lives of Sandhoppers

Observing the Beautiful, Secret Lives of Sandhoppers

Adam Nicolson on an Overlooked Beach-Dweller

By Adam Nicolson | February 22, 2022

Revisiting Thich Nhat Hanh’s Call to Fall in Love with the Earth

Revisiting Thich Nhat Hanh’s Call to Fall in Love with the Earth

This Week from the Emergence Magazine Podcast

By Emergence Magazine | February 22, 2022

Getting By in Prison With Nothing But Books

Getting By in Prison With Nothing But Books

Daniel Genis on Becoming a Citizen of the Incarcerated Nation

By Daniel Genis | February 22, 2022

Charlotte Wood on Exploring the Longevity of Female Friendship

Charlotte Wood on Exploring the Longevity of Female Friendship

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | February 22, 2022

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    • New Series to Watch this WeekendJanuary 16, 2026 by Olivia Rutigliano
    • Novelist Van Jensen Talks with His Mother, Acclaimed Painter Jean Jensen, About Art, Literature, and FamilyJanuary 16, 2026 by Van Jensen
    • The Historical Implications and Fictional Possibilities of the Hindenberg DisasterJanuary 16, 2026 by L. A. Chandlar
    • This Is Where the Serpent Lives
    • The Best Reviewed Books of the Week
    • "Sensitive and powerful The women in em This Is Where the Serpent Lives em are…"
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