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Neither Villain Nor Victim: Stacey D’Erasmo on Embracing Discomfort in Telling the Story of a Complicit Woman

Neither Villain Nor Victim: Stacey D’Erasmo on Embracing Discomfort in Telling the Story of a Complicit Woman

What It Means to Write in the Direction of Darkness

By Stacey D'Erasmo | September 26, 2022

Read Ted Berrigan’s Original Review of Frank O’Hara’s <em>Lunch Poems</em>

Read Ted Berrigan’s Original Review of Frank O’Hara’s Lunch Poems

“It’s a great book!”

By Ted Berrigan | September 26, 2022

Considering the Poetry of Molly Brodak and the Ache of the Unknowable World

Considering the Poetry of Molly Brodak and the Ache of the Unknowable World

Joseph Earp on Schizophrenia, Recovery, and Finding Connection When You Need It

By Joseph Earp | September 26, 2022

How an Architect’s Endless Pursuit of Artistic Perfection Drove Him To Despair

How an Architect’s Endless Pursuit of Artistic Perfection Drove Him To Despair

Charlotte Van den Broeck on the Italian Baroque Master, Francesco Borromini

By Charlotte Van den Broeck | September 26, 2022

When Male Authors Write Male Violence

When Male Authors Write Male Violence

Philippa Snow on Ryu Murakami’s Novel Piercing

By Philippa Snow | September 26, 2022

J. Drew Lanham on Finding Refuge in His Backyard During the Pandemic Lockdown

J. Drew Lanham on Finding Refuge in His Backyard During the Pandemic Lockdown

This Week from the Emergence Magazine Podcast

By Emergence Magazine | September 26, 2022

Best Reviewed
Books of the Week

  • Go Gentle
  • The Palm House
  • Lázár
  • Rasputin: The Downfall of the Romanovs
  • Famesick: A Memoir
  • Where the Music Had to Go: How Bob Dylan and the Beatles Changed Each Other--And the World

Qian Julie Wang on Commuting, People-Watching, and Letting the Story Marinate

By Literary Hub | September 26, 2022

Morgan Talty on How Form Can Shape Story... If You Listen

By Memoir Nation | September 26, 2022

There Were British Spy Novels Before James Bond

By History of Literature | September 26, 2022

Why the Chinese Economic Bubble Might Never Pop

Why the Chinese Economic Bubble Might Never Pop

Thomas Orlik in Conversation with Andrew Keen on Keen On

By Keen On | September 26, 2022

Plagues and Their Aftermath: Why Recovering From Covid is Really “Up to Us”

Plagues and Their Aftermath: Why Recovering From Covid is Really “Up to Us”

Brian Michael Jenkins in Conversation with Andrew Keen on Keen On

By Keen On | September 26, 2022

How Much Sympathy Should We Have for the Children of Privilege Who Have Lost Their Way in Life?

How Much Sympathy Should We Have for the Children of Privilege Who Have Lost Their Way in Life?

Jamie Weiner in Conversation with Andrew Keen on Keen On

By Keen On | September 26, 2022

Julia Reed on the Memories Woven Into Well-Worn Clothes

Julia Reed on the Memories Woven Into Well-Worn Clothes

”Years from now when I find them in my closet I will remember what havoc I will have wreaked.”

By Julia Reed | September 26, 2022

"performing miss america at bushwig 2018, then chilling." A Poem by Wo Chan

From the Collection Togetherness

By Wo Chan | September 26, 2022

Jonathan Escoffery on Playing Out Some of His Worst Fears on the Page

Jonathan Escoffery on Playing Out Some of His Worst Fears on the Page

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | September 26, 2022

Is There Really a Science of Belonging That Can Help Us Create Connection and Bridge Divides?

Is There Really a Science of Belonging That Can Help Us Create Connection and Bridge Divides?

Geoffrey L. Cohen in Conversation with Andrew Keen on Keen On

By Keen On | September 26, 2022

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Page 484 of 1561
    • Dane Bahr on Craft and Why Crime Fiction Is the Punk Complement to Literary FictionApril 21, 2026 by Dane Bahr
    • 5 Books That Inspired: Marcus KliewerApril 21, 2026 by Marcus Kliewer
    • Joseph Moldover on What Being a Psychologist Taught Him About Writing CrimeApril 21, 2026 by Joseph Moldover
    • Go Gentle
    • The Best Reviewed Books of the Week
    • "A social satire full of dopamine-releasing one-liners and sparkling writing But it can be frustratingly…"
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