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  • Craft and Criticism
    • Literary Criticism
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Marcel Duchamp’s First Three Great Rejections

Marcel Duchamp’s First Three Great Rejections

Ruth Brandon on the Seismic Events in the Artist’s Young Life

By Ruth Brandon | March 2, 2022

Maciej Kisilowski and Inna Melnykovska on the West’s Moral Failure in the Ukrainian Invasion

Maciej Kisilowski and Inna Melnykovska on the West’s Moral Failure in the Ukrainian Invasion

In Conversation with Andrew Keen on Keen On

By Keen On | March 2, 2022

The Shifting Unreliability of Memory: A Reading List

The Shifting Unreliability of Memory: A Reading List

Jo Harkin Recommends Anne Tyler, Meredith Westgate, and More

By Jo Harkin | March 2, 2022

Where Does Childhood Wonder Come From—And Why Does it End?

Where Does Childhood Wonder Come From—And Why Does it End?

Frank C. Keil on a Child's View of the World

By Frank C. Keil | March 2, 2022

Who Has the Real Power in Basketball’s Big Money Machine?

Who Has the Real Power in Basketball’s Big Money Machine?

Merl Code Tells It Like It Is in Black Market

By Merl Code | March 2, 2022

Those Who Were Left Behind by Argentina’s “Dirty War”

Those Who Were Left Behind by Argentina’s “Dirty War”

Andrea Yaryura Clark Reconnects With Her Generation in Buenos Aires

By Andrea Yaryura Clark | March 2, 2022

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Eleven Over Sixty: A Reading List of Later in Life Debuts

By Kathleen Courtenay Stone | March 2, 2022

Kathy Gilsinan on the Different Kinds of War We’re Facing Right Now

By Keen On | March 2, 2022

Sheila Heti on Expanding Our Notions of Mourning

By Thresholds | March 2, 2022

Ed O’Loughlin Reads from <em>The Last Good Funeral of the Year</em>

Ed O’Loughlin Reads from The Last Good Funeral of the Year

From Damian Barr’s Literary Salon Podcast

By Damian Barr's Literary Salon | March 2, 2022

Betina González on <em>The Little Prince</em>, <em>Walden</em>, and <em>A Wizard of Earthsea</em>

Betina González on The Little Prince, Walden, and A Wizard of Earthsea

Book Recs From the Author of American Delirium

By Book Marks | March 2, 2022

<em>Bitter</em> by Akwaeke Emezi, Read by Bahni Turpin

Bitter by Akwaeke Emezi, Read by Bahni Turpin

A Coming-of-Age Story About Love and Revolution

By Behind the Mic | March 2, 2022

On the Ukrainian Poets Who Lived and Died Under Soviet Suppression

On the Ukrainian Poets Who Lived and Died Under Soviet Suppression

Myroslav Laiuk Revisits an Empire That Executed Its Artists

By Myroslav Laiuk | March 1, 2022

How the Beat Generation Created the Uniform for Disaffected Youth

How the Beat Generation Created the Uniform for Disaffected Youth

Sophie Wilson on the Co-opting of a Counterculture

By Sophie Wilson | March 1, 2022

Experiencing Kenosis in the Poetry of Donne and Shakespeare

Experiencing Kenosis in the Poetry of Donne and Shakespeare

Jason Gots on Awe and Connection in the Church of Art

By Jason Gots | March 1, 2022

Petroleum and Patriarchy: How Art Functions in <em>Written on the Wind</em> and <em>Giant</em>

Petroleum and Patriarchy: How Art Functions in Written on the Wind and Giant

Laura Valenza on the Subversive Power of (Over-the-Top) Artwork

By Laura Valenza | March 1, 2022

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    • Bestsellers to Blockbusters: Stephen King Reflects on the Adaptations of His WorkOctober 23, 2025 by Stephen King
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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