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The Gut-Wrenching Story of One U.S. Army Unit’s Experience in Afghanistan

The Gut-Wrenching Story of One U.S. Army Unit’s Experience in Afghanistan

Ben Kesling in Conversation with Andrew Keen on Keen On

By Keen On | November 3, 2022

<em>Inside Voice</em> by Lake Bell, Read by Lake Bell et al.

Inside Voice by Lake Bell, Read by Lake Bell et al.

A Deep Dive into the Power of the Voice

By Behind the Mic | November 3, 2022

How Writing Fiction Can Expose More of Yourself Than Writing Memoir

How Writing Fiction Can Expose More of Yourself Than Writing Memoir

Dani Shapiro in Conversation with Roxanne Coady on Just the Right Book

By Just the Right Book | November 3, 2022

<em>I’ve Got It!</em> Judy Blume Tells the Story of Her First Period

I’ve Got It! Judy Blume Tells the Story of Her First Period

The Author of Are You There God? It's Me, Margaret Recalls the Confusion and Joy Around the Rite of Passage

By Judy Blume | November 2, 2022

Andrew Sean Greer on the Benefits of Winning the Pulitzer Prize (and Not Having to Schmooze)

Andrew Sean Greer on the Benefits of Winning the Pulitzer Prize (and Not Having to Schmooze)

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | November 2, 2022

Accumulated Memory: Ken Burns on the Intersection of Individual Intimacy and National Narrative

Accumulated Memory: Ken Burns on the Intersection of Individual Intimacy and National Narrative

“Rhymes of race, freedom, innovation, politics, war, leadership, prejudice, art, and scandal recur vividly and insistently.”

By Ken Burns | November 2, 2022

Best Reviewed
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The Long and the Short of It: Hilma Wolitzer on Returning to Short Fiction in Her 90s

By Hilma Wolitzer | November 2, 2022

“WE NEED MORE OINTMENT.” The Exquisite Banality of Married Texting

By Jason Gay | November 2, 2022

Perhaps the Most Remarkable Thing About Charlie Watts Was Just How Remarkably Ordinary He Was

By Keen On | November 2, 2022

An Ode to Harriet the Spy, the Art Monster of East End Avenue

An Ode to Harriet the Spy, the Art Monster of East End Avenue

Caroline Hagood on Louise Fitzhugh’s Ferocious and Wonderful Girl Flâneuse

By Caroline Hagood | November 2, 2022

How to Tell a True Abortion Story

How to Tell a True Abortion Story

Nicole Walker on the Craft of Getting Personal

By Nicole Walker | November 2, 2022

Reading Langston Hughes’s Wartime Reporting From the Spanish Civil War

Reading Langston Hughes’s Wartime Reporting From the Spanish Civil War

Matthew F. Delmont on How Black Americans Warned the World of Fascism

By Matthew F. Delmont | November 2, 2022

Chloé Cooper Jones on the Exchange of Authenticity Between Memoirist and Reader

Chloé Cooper Jones on the Exchange of Authenticity Between Memoirist and Reader

In Conversation with Jordan Kisner on Thresholds

By Thresholds | November 2, 2022

How California is Pioneering the Reform of the American Criminal Justice System

How California is Pioneering the Reform of the American Criminal Justice System

Lenore Anderson in Conversation with Andrew Keen on Keen On

By Keen On | November 2, 2022

Steve Almond on Figuring Out How to Master a Big Plot

Steve Almond on Figuring Out How to Master a Big Plot

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | November 2, 2022

Michael Handrick Reads from His New Novel <em>Difference is Born on the Lips</em>

Michael Handrick Reads from His New Novel Difference is Born on the Lips

From Damian Barr’s Literary Salon Podcast

By Damian Barr's Literary Salon | November 2, 2022

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    • The Beginning Comes After the End: Notes on a World of Change
    • The Best Reviewed Books of the Week
    • "Slim but powerful Solnit writes with moral clarity and philosophical vigor in a voice that…"
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