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Craft and Criticism
The Literary Heirs of the Great Carraway
On Donna Tartt, Richard Ford, and Lorrie Moore
By
Robert Hahn
| September 30, 2015
The Time I Got Really Stoned and Interviewed Jesse Eisenberg
Sunday Night, You're Totally Baked, and a Movie Star Calls
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Jonathan Russell Clark
| September 29, 2015
Interview with a Bookstore: Albertine
A little Paris in New York
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Interview with a Bookstore
| September 28, 2015
Exploring Patrick Modiano's Paris
Of Memoryscapes and Lost Time
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Debarati Sanyal
| September 28, 2015
Why Teaching (Writing) Matters: A Full Confession
In Praise (and Defense) of the MFA
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Jayne Anne Phillips
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Eileen Myles in Conversation with Ben Lerner
On Fame, the Working Class, and Being a "Folk Poet"
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Literary Hub
| September 24, 2015
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A Phone Call From Paul: Neil Gaiman
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Literary Hub
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The Rise of the Writing Center: GrubStreet
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Chinelo Okparanta on Faith, War and Being Gay in Nigeria
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Nom de Vie: Literary Social Media in the Age of Ferrante
On Anonymity and the Self-Promotional Author
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Alexander Chee
| September 17, 2015
The Art of Going the Distance
On Writing, 'The Swimmer', and Getting to the Other Side
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Belinda McKeon
| September 17, 2015
The Book in Ten Quotes: Nein: A Manifesto
Tell, Don't Show, Absurdist Edition
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Oscar Van Gelderen
| September 17, 2015
Against Lolita
Nabokov’s Most Famous Book is, Truly, a Minor Work
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Roxana Robinson
| September 16, 2015
Growing Up Carlin
On Having a Legendary Comedian for a Dad
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Charles Arrowsmith
| September 15, 2015
Nate Marshall: The Poetic Lives of the South Side
Casey Rocheteau Talks Mixtapes, Hip Hop, and Reaching Across Identities
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Casey Rocheteau
| September 15, 2015
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Page 639 of 649
Thinking Outside the Cop: Using Game Wardens in Crime Fiction
January 13, 2026
by
Sarah Crouch
Make Our Villains Gayer, Please: Reclaiming the Trope of Queer-Coded Antagonists
January 13, 2026
by
Isha Raya
Ross Montgomery on Researching Profanity, Halley's Comet, and Writing Historical Fiction
January 13, 2026
by
Alex Dueben
The Best Reviewed Books of the Week
"Poignant Tender The final line of em The Rest of Our Lives em is by…"