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Craft and Criticism
Brilliance and Blind Spots:
Rereading Joan Didion in This Hard American Winter of 2020
Gabrielle Bellot on the Seminal Essay, "On Self-Respect"
By
Gabrielle Bellot
| February 7, 2020
How Detective Fiction Took Hold of Los Angeles
Sam Wasson on the Creation of a City's Mythology
By
Sam Wasson
| February 7, 2020
Searching for Queerness in the Corners of History
On Jenn Shapland and "Hunting Lesbians"
By
Catie Disabato
| February 7, 2020
Lidia Yuknavitch on
Frankenstein
, Incarceration, and Overcoming Creative Blocks
The Author of
Verge
on the Advice That Always Helps Her
By
Literary Hub
| February 6, 2020
When We Call a Book Cinematic, What Do We Really Mean?
Sarah Kozloff on the Cross-Pollination of Art Forms
By
Sarah Kozloff
| February 6, 2020
Emily Nemens on Getting to the Heart of Recession-Era America in a Baseball Novel
The Author of The Cactus League in Conversation with Christian Kiefer
By
Christian Kiefer
| February 5, 2020
Best Reviewed
Books of the Week
The Risk, and Reward, of Turning from Memoir to Fiction
By
Amy Jo Burns
| February 5, 2020
Life in a Freewheeling, Buoyant Dystopia (With Baseball at Its Center)
By
Mimi Lok
| February 5, 2020
The 25 Best Bad Amazon Reviews of
The Talented Mr. Ripley
By
Emily Temple
| February 4, 2020
Dahlia Lithwick and Moira Donegan: What Happens When Women
Tell the Truth
A Conversation on Brett Kavanaugh, Freud, and "Male Law"
By
Literary Hub
| February 4, 2020
Googling Literary Lesbians:
On Carson McCullers and the Erotics of Incompletion
Sarah Heying Asks "The Sappho Question"
By
Sarah Heying
| February 4, 2020
Jane Austen, Gritty Educational Reformer of the Working Class
Janine Barchas on How the Proliferation of Penny Editions
Brought Literature to the Masses
By
Janine Barchas
| February 4, 2020
Capitalism Has Distorted Desire in the #MeToo Era
A Brief History of Literary Seduction
By
Clement Knox
| February 4, 2020
Was 'The Burning' the Hardest Story for Eudora Welty
To Write?
Disavowing the Rituals of the American Civil War
By
Susan V. Donaldson
| February 4, 2020
What Happens When You Treat Writing Like Acting?
Dan Bevacqua on Taking a Hint from Hollywood
By
Dan Bevacqua
| February 4, 2020
On
My Dark Vanessa
and the Way Stories of Trauma Get Told
Red Newsom Considers the Line Between Experience and Fiction
By
Red Newsom
| February 3, 2020
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