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<em>Hamlet</em>, Translated into Spanglish

Hamlet, Translated into Spanglish

Ilan Stavans Offers a New Version of English Literature's Most Famous Scene

By Ilan Stavans | April 25, 2016

If <em>Jane Eyre</em> Came Out Today Would It Be Marketed As Genre?

If Jane Eyre Came Out Today Would It Be Marketed As Genre?

On Proto-Feminist and Commercial Powerhouse Charlotte Brontë

By Lyndsay Faye | April 21, 2016

Charlotte Brontë May Have Started the Fire, But Jean Rhys Burned Down the House

Charlotte Brontë May Have Started the Fire, But Jean Rhys Burned Down the House

Wide Sargasso Sea and The Limits of Bronte Feminism

By Bridget Read | April 21, 2016

On the Literature of Cyborgs, Robots, and Other Automata

On the Literature of Cyborgs, Robots, and Other Automata

From Mechanical Ducks to Mythic Metal Giants

By Michael Peck | April 21, 2016

Searching for Salvation in Charlotte Brontë's <em>Villette</em>

Searching for Salvation in Charlotte Brontë's Villette

Two Pauls, Two Loves, Two Separations

By Rachel Vorona Cote | April 21, 2016

My Life in a Buddhist Cult with

My Life in a Buddhist Cult with "The Master"

On Diving Deeply Into the Past, To Write and Remember

By Kirstin Allio | April 21, 2016

Best Reviewed
Books of the Week

  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • The Hitch
  • Fly, Wild Swans: My Mother, Myself and China

In Which Karl Ove Knausgaard Hangs Out in His Car, Talking

By Literary Hub | April 20, 2016

Mitchell S. Jackson's The Residue Years, Part Two

By Literary Hub | April 20, 2016

How to Write Teen Girl Characters

By Nora Zelevansky | April 20, 2016

Discovering What AWP is Truly About

Discovering What AWP is Truly About

Beyond the Panels, the Parties, and the Photos

By Marie Myung-Ok Lee | April 20, 2016

Why Where We Write Matters

Why Where We Write Matters

Tanaz Bhathena on Her Understanding of Home,
from Bombay to Bilimora

By Tanaz Bhathena | April 20, 2016

What Borges Learned from Cervantes

What Borges Learned from Cervantes

On Language, and the Thin Line Between Fiction and Reality

By Ilan Stavans and William P. Childers | April 20, 2016

Mitchell S. Jackson's <em>The Residue Years</em>, Part One

Mitchell S. Jackson's The Residue Years, Part One

Premiering the Story of One Writer's Path from Prison to Publication

By Literary Hub | April 19, 2016

The Perks of Getting Lost at the London Book Fair

The Perks of Getting Lost at the London Book Fair

Marta Bausells on Impersonators, Rapid Fire Rights-Dealing, and "Shakespeariences"

By Marta Bausells | April 19, 2016

Librarian Confidential: Alexander Lent

Librarian Confidential: Alexander Lent

The Only Library with Owls, Snakes, and Tai Chi Classes

By Literary Hub | April 19, 2016

Talking to Pulitzer Prize-Winning Writer Viet Thanh Nguyen

Talking to Pulitzer Prize-Winning Writer Viet Thanh Nguyen

John Freeman Chats with the Author of The Sympathizer

By John Freeman | April 18, 2016

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    • Novelist Van Jensen Talks with His Mother, Acclaimed Painter Jean Jensen, About Art, Literature, and FamilyJanuary 16, 2026 by Van Jensen
    • The Historical Implications and Fictional Possibilities of the Hindenberg DisasterJanuary 16, 2026 by L. A. Chandlar
    • This Is Where the Serpent Lives
    • The Best Reviewed Books of the Week
    • "Sensitive and powerful The women in em This Is Where the Serpent Lives em are…"
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