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Ishmael Reed: Mr. Miranda, <em>Hamilton</em> Left Out a Few Things

Ishmael Reed: Mr. Miranda, Hamilton Left Out a Few Things

A Critical Take on the Broadway Hit

By Ishmael Reed | October 6, 2020

Why is <em>The Known World</em> <br>So Good?

Why is The Known World
So Good?

Emily Temple on Edward P. Jones's Master Class in Time Management

By Emily Temple | October 5, 2020

On Learning of My Autism While Trying to Finish a Novel

On Learning of My Autism While Trying to Finish a Novel

Madeleine Ryan Considers the Richness of Neurodiversity

By Madeleine Ryan | October 5, 2020

The Shape of His Stories: In Praise of Edward P. Jones

The Shape of His Stories: In Praise of Edward P. Jones

Elizabeth Poliner Returns to Three Stories in Lost in the City

By Elizabeth Poliner | October 5, 2020

When the US Became a Rogue State in the Middle East

When the US Became a Rogue State in the Middle East

Noam Chomsky on War with Iran, Both Covert and Overt

By David Barsamian | October 5, 2020

Rebecca Watson on Authors Being as Gods to Their Characters

Rebecca Watson on Authors Being as Gods to Their Characters

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | October 5, 2020

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

Lynn Steger Strong on the F*ck-It Mindset Behind Her Second Novel

By Otherppl with Brad Listi | October 5, 2020

On the Haunting Remorse of Edgar Allan Poe's
"The Black Cat"

By History of Literature | October 5, 2020

Marilynne Robinson on Writing a Character Without a Carapace

By Well-Versed | October 2, 2020

A Conversion of Suffering: At the Intersection of Poetry and Psychoanalysis in Paul Celan

A Conversion of Suffering: At the Intersection of Poetry and Psychoanalysis in Paul Celan

Jamieson Webster Analyzes the Prose of a Famous Poet

By Jamieson Webster | October 2, 2020

The Case for Writing a Memoir in Essays

The Case for Writing a Memoir in Essays

Beth Kephart on the Power of Fragmentation in Books By Sonja Livingston, Megan Stielstra, and More

By Beth Kephart | October 2, 2020

What Exactly Do We Mean By a Book?

What Exactly Do We Mean By a Book?

Is It Purpose? Portability? James Raven Has Some Questions

By James Raven | October 1, 2020

On Reengaging with Franz Kafka's Astonishing Worlds

On Reengaging with Franz Kafka's Astonishing Worlds

Gregory Ariail Considers the "Lost" and Newly Translated Fragments

By Gregory Ariail | October 1, 2020

Ayad Akhtar on a New Kind <br>of Autofiction

Ayad Akhtar on a New Kind
of Autofiction

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | October 1, 2020

Pediatrician and Author Sayantani DasGupta on Stories as Good Medicine

Pediatrician and Author Sayantani DasGupta on Stories as Good Medicine

From the NewberyTart Podcast

By NewberyTart | October 1, 2020

Steven Dunn on Coming Back to Reading Through Rap and Nikki Giovanni

Steven Dunn on Coming Back to Reading Through Rap and Nikki Giovanni

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | October 1, 2020

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    • 5 Great Japanese Mysteries and Horror NovelsFebruary 3, 2026 by Callie Kazumi
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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