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Sylvia Plath... Nature Writer?

Sylvia Plath... Nature Writer?

Marlena Williams on the Poet's Fraught Relationship with the Wild

By Marlena Williams | October 23, 2020

Hiroko Oyamada Wrote Her First Book, <em>The Factory</em>, in the Factory Where She Worked

Hiroko Oyamada Wrote Her First Book, The Factory, in the Factory Where She Worked

David Boyd on a Writer Who Follows the Weirdness

By David Boyd | October 23, 2020

On the Event That Brought Me Back to Writing After 30 Years

On the Event That Brought Me Back to Writing After 30 Years

How Robert Duncan Came to Publish Again After Many Years

By Robert Duncan | October 23, 2020

Mira Jacob, Kiese Laymon, and Saeed Jones on the Art of Memoir

Mira Jacob, Kiese Laymon, and Saeed Jones on the Art of Memoir

From the Bookable Podcast with Author Amanda Stern

By Bookable | October 23, 2020

The Enduring Strength and Richness of Kashmir's<br> Literary Life

The Enduring Strength and Richness of Kashmir's
Literary Life

Sharanya Deepak on the Many Landscapes of Kashmiri Writing

By Sharanya Deepak | October 23, 2020

Jill McCorkle on the Voice She Channels When It's Time to Write a Rant

Jill McCorkle on the Voice She Channels When It's Time to Write a Rant

In Conversation with Mitchell Kaplan on The Literary Life Podcast

By The Literary Life | October 23, 2020

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

WATCH: Writers and Translators on What It Means to Have a 'Mother Tongue'

By Literary Hub | October 23, 2020

Adam Gidwitz's Dream Job: Getting Heckled by Second Graders

By NewberyTart | October 23, 2020

Eshkol Nevo on Writing a Novel in Questions

By New Books Network | October 23, 2020

The Case Against Critical Feedback

The Case Against Critical Feedback

Lauren D. Woods on Recapturing the Joy of Writing

By Lauren D. Woods | October 22, 2020

Anne Carson: The Sheer Velocity and Ephemerality of Cy Twombly

Anne Carson: The Sheer Velocity and Ephemerality of Cy Twombly

“Ancient Things Are New Things."

By Anne Carson | October 22, 2020

Against the Muse Myth: On Motherhood and the Writing Life

Against the Muse Myth: On Motherhood and the Writing Life

Molly Spencer Finds Time to Write in all the Smallest Spaces

By Molly Spencer | October 22, 2020

Rumaan Alam on the Psychic Usefulness of a Tangible Disaster

Rumaan Alam on the Psychic Usefulness of a Tangible Disaster

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | October 22, 2020

The Moment My Poetry Students and I Could No Longer Ignore the Climate Crisis

The Moment My Poetry Students and I Could No Longer Ignore the Climate Crisis

Craig Santos Perez on the Origins of His Course in Ecopoetry

By Craig Santos Perez | October 22, 2020

Where Do Reading Lists Come From? (And Why Do We Love Them?)

Where Do Reading Lists Come From? (And Why Do We Love Them?)

William Germano and Kit Nicholls Offer a Brief History of a Familiar Format

By William Germano and Kit Nicholls | October 21, 2020

Nikki Giovanni: Why We Need Poetry

Nikki Giovanni: Why We Need Poetry

From Make Me Rain, a Collection of Poetry and Prose

By Nikki Giovanni | October 21, 2020

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    • Why Horror Is the Perfect Genre for Processing TraumaFebruary 4, 2026 by Christina Ferko
    • The Most Unhinged Women in Fiction (That Marisa Walz Would Still Invite to Brunch)February 4, 2026 by Marisa Walz
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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