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Craft and Criticism
When a Young Literary Star Refuses the Spotlight
Simon Leser on the Curious Case of Joseph Andras
By
Simon Leser
| February 26, 2021
The Best Nightmarish Fiction:
A Reading List
Angela Buck Recommends Lydia Davis, Shirley Jackson, and More
By
Angela Buck
| February 26, 2021
Dantiel W. Moniz on Writing Stories That Are Felt in the Body
In Conversation with Mitchell Kaplan on
The Literary Life
Podcast
By
The Literary Life
| February 26, 2021
A Star is Born: Tracing the Rise and Fall of a Jewish Immigrant Turned Realist Author
Catherine Rottenberg on the Storied Life and Overdue Revival of Anzia Yezierska
By
Catherine Rottenberg
| February 26, 2021
The (Semi-Hidden) History of Queer Pregnancy in Literature
Alicia Andrzejewski on Torrey Peters’s
Detransition, Baby
, and the Future of Queer Families
By
Alicia Andrzejewski
| February 26, 2021
This Year’s NBCC Award Finalists:
The Dragons, The Giant, The Women
by Wayétu Moore
Marion Winik on One of the Finalists for Autobiography
By
Marion Winik
| February 26, 2021
Best Reviewed
Books of the Week
Something Old, Something New: Arranged Marriage In a Time-Traveling Future
By
New Books Network
| February 26, 2021
The Dark World of
Rapture Fiction
By
William J. Bernstein
| February 25, 2021
Joy Harjo on the Poetic Lyricism and Subversive Native Storytelling of James Welch
By
Joy Harjo
| February 25, 2021
This Year’s NBCC Award Finalists:
Imperial Liquor
by Amaud Jamaul Johnson
Stephanie Burt on One of the Finalists for Poetry
By
Stephanie Burt
| February 25, 2021
Patricia Lockwood: ‘I Like to Give People a Very Vertiginous Whiplash’
In Conversation with Maris Kreizman on
The Maris Review
Podcast
By
The Maris Review
| February 25, 2021
I think about this tiny detail from
The Talented Mr. Ripley
all the time.
By
Emily Temple
| February 24, 2021
Beatifying Patricia Lockwood: “I Worry That She Hasn’t Had Enough Fun.”
Mary Gordon Tries to Understand Literary Hagiography
By
Mary Gordon
| February 24, 2021
How Many of the 100 Most Famous Passages in Literature Can You Identify?
Winner Gets a Prize*
By
Emily Temple
| February 24, 2021
Jonathan Lethem: Why Shirley Jackson is a Reader’s Writer
On the Brilliance of
We Have Always Lived in the Castle
and the Intimacy of Everyday Evil
By
Jonathan Lethem
| February 24, 2021
On the Erudite Chaos of Tom Stoppard's Most Complex Play
Hermione Lee Considers the Algorithmic Genius of
Arcadia
By
Hermione Lee
| February 24, 2021
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