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Out of the Attic: A Caregiver’s Rage and <em>Jane Eyre</em>

Out of the Attic: A Caregiver’s Rage and Jane Eyre

Kate Washington on Burnout, Marital Roles, and the Feminine Ideals of Victorian Literature

By Kate Washington | March 15, 2021

On Gabriel García Márquez’s Search for Truth in Nostalgia

On Gabriel García Márquez’s Search for Truth in Nostalgia

This Week on the History of Literature Podcast with Jacke Wilson

By History of Literature | March 15, 2021

This Year’s NBCC Award Finalists: <em>Inside Story: A Novel</em> by Martin Amis

This Year’s NBCC Award Finalists: Inside Story: A Novel by Martin Amis

Carlin Romano on One of the Finalists for Fiction

By Carlin Romano | March 15, 2021

Samantha Rose Hill Reconsiders Hannah Arendt's Thoughts on Hope, a Year into COVID-19

Samantha Rose Hill Reconsiders Hannah Arendt's Thoughts on Hope, a Year into COVID-19

In Conversation with Paul Holdengräber on
The Quarantine Tapes

By The Quarantine Tapes | March 12, 2021

This Year’s NBCC Award Finalists: <em>Crap</em> by Wendy A. Woloson

This Year’s NBCC Award Finalists: Crap by Wendy A. Woloson

J. Howard Rosier on One of the Finalists for Criticism

By J. Howard Rosier | March 12, 2021

Why we need more depictions of Twenty-Something Black Girls Just Figuring Shit Out.

Why we need more depictions of Twenty-Something Black Girls Just Figuring Shit Out.

By Vanessa Willoughby | March 11, 2021

Best Reviewed
Books of the Week

  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • The Hitch
  • Fly, Wild Swans: My Mother, Myself and China

After Images: Encountering the Work of Beverley Farmer

By Josephine Rowe | March 11, 2021

A Dinner in France, 1973: Josephine Baker, James Baldwin, and a Very Young Henry Louis Gates, Jr

By Harmony Holiday | March 11, 2021

Femme Freedom on Film: On Daisies, Romy and Michele’s High School Reunion, and Twinning

By Sam Cohen | March 11, 2021

WTF, Texas? Lacy M. Johnson and Natalia Sylvester on Surviving the Recent Storm and Unraveling the Whitewashed Myth of Texas

WTF, Texas? Lacy M. Johnson and Natalia Sylvester on Surviving the Recent Storm and Unraveling the Whitewashed Myth of Texas

In Conversation with V.V. Ganeshananthan and Whitney Terrell
on Fiction/Non/Fiction

By Fiction Non Fiction | March 11, 2021

Writing the What-If: The Aftermath of a Daughter’s Grief

Writing the What-If: The Aftermath of a Daughter’s Grief

Rebecca Handler on Exploring Alternate Narrative Paths

By Rebecca Handler | March 11, 2021

Metaliterary Worlds: On Fictional Books Within Books

Metaliterary Worlds: On Fictional Books Within Books

Elizabeth Knox Recommends George Elliot, Mikhail Bulgakov, and More

By Elizabeth Knox | March 11, 2021

Naima Coster on Following Narrative Threads Rather Than Chronology

Naima Coster on Following Narrative Threads Rather Than Chronology

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | March 11, 2021

Finding Creativity in the Wintertime Rhythms of a Bordeaux Vineyard

Finding Creativity in the Wintertime Rhythms of a Bordeaux Vineyard

Mari Andrew on a Restorative Trip to France

By Mari Andrew | March 11, 2021

The Fires of Digression: Gregory Brown on the Slow Burn of Writing Fiction

The Fires of Digression: Gregory Brown on the Slow Burn of Writing Fiction

"It’s okay to wander. It’s okay to be lost. It’s okay to go slow."

By Gregory Brown | March 11, 2021

This Year’s NBCC Award Finalists: <em>The Shore</em> by Chris Nealon

This Year’s NBCC Award Finalists: The Shore by Chris Nealon

Jacob M. Appel on One of the Finalists for Poetry

By Jacob M. Appel | March 11, 2021

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    • Novelist Van Jensen Talks with His Mother, Acclaimed Painter Jean Jensen, About Art, Literature, and FamilyJanuary 16, 2026 by Van Jensen
    • The Historical Implications and Fictional Possibilities of the Hindenberg DisasterJanuary 16, 2026 by L. A. Chandlar
    • This Is Where the Serpent Lives
    • The Best Reviewed Books of the Week
    • "Sensitive and powerful The women in em This Is Where the Serpent Lives em are…"
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