How We Wrote a Joint Memoir Without Sabotaging Our Relationship

How We Wrote a Joint Memoir Without Sabotaging Our Relationship

Meg Bashwiner and Joseph Fink on the Complexities of the Collaborative Process

By Meg Bashwiner and Joseph Fink | May 17, 2021

On the Best Subversive, Genre-Busting Writer You’ve Never Heard Of

On the Best Subversive, Genre-Busting Writer You’ve Never Heard Of

Tobias Carroll Rereads M. John Harrison, an Under-Recognized Master

By Tobias Carroll | May 14, 2021

Pride and Property: <br>On the Homes of Jane Austen

Pride and Property:
On the Homes of Jane Austen

Phyllis Richardson on the Manors, Rectories, and Cottages That Influenced Austen's Domestic Writing

By Phyllis Richardson | May 14, 2021

Why Are Creepy Children So Compelling?

Why Are Creepy Children So Compelling?

A. J. Gnuse on Our Misplaced Fear of the Gothic

By A. J. Gnuse | May 14, 2021

Barry Jenkins’ <em>Underground Railroad</em> is Even More Challenging Than the Novel

Barry Jenkins’ Underground Railroad is Even More Challenging Than the Novel

You Will Not Be Able to Look Away

By Emily Temple | May 14, 2021

In Praise of the Singular “They”<br> in Literary Translation

In Praise of the Singular “They”
in Literary Translation

Isaac Stackhouse Wheeler on Maintaining the Aesthetic
Character of a Text

By Isaac Stackhouse Wheeler | May 14, 2021

Best Reviewed
Books of the Week

  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • The Hitch
  • Fly, Wild Swans: My Mother, Myself and China

Olivia Laing on Writing the Global Story of Liberation

By Olivia Laing | May 14, 2021

Interview with an Indie Press: Tin House

By Corinne Segal | May 14, 2021

Bonnie MacBird on Expanding the Canon of Sherlock and Watson

By New Books Network | May 14, 2021

Cambria Gordon on the Lost Art of Penmanship

Cambria Gordon on the Lost Art of Penmanship

In Conversation with Mitchell Kaplan on The Literary Life Podcast

By The Literary Life | May 14, 2021

Why Did I Wait So Long to Read Jane Austen?

Why Did I Wait So Long to Read Jane Austen?

Joshua Raff on His Pandemic Jane-Quest

By Joshua Raff | May 13, 2021

When an Apparition of Virginia Woolf Interrupts Your Writing Process

When an Apparition of Virginia Woolf Interrupts Your Writing Process

Rachel Eisendrath: “She had taken hold of my manuscript. And she was looking down at it.”

By Rachel Eisendrath | May 13, 2021

Tayari Jones on <em>The Women of Brewster Place</em>, Nearly Forty Years Later

Tayari Jones on The Women of Brewster Place, Nearly Forty Years Later

Reconsidering a Watershed Moment
of Black Storytelling

By Tayari Jones | May 13, 2021

Elissa Washuta on Composing the Three-Act Structure of Her Essay Collection

Elissa Washuta on Composing the Three-Act Structure of Her Essay Collection

This Week on the Reading Women Podcast

By Reading Women | May 13, 2021

A Lifetime of Luminous Poetry: Nandana Dev Sen on Translating the Work of Her Mother, Nabaneeta

A Lifetime of Luminous Poetry: Nandana Dev Sen on Translating the Work of Her Mother, Nabaneeta

“She had a profound and primal need for poetry, not only as a way to cope, but as a way of forming herself.”

By Nandana Dev Sen | May 13, 2021

Live at the Red Ink Series: How Desire Propels the Writing Life

Live at the Red Ink Series: How Desire Propels the Writing Life

Featuring Jo Ann Beard, Katherine Angel, Dantiel W. Moniz, and Jeannine Ouellette

By Literary Hub | May 13, 2021

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