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On the Dark, Wondrous Optimism of Ray Bradbury

On the Dark, Wondrous Optimism of Ray Bradbury

Gabrielle Bellot Discovers Worlds Within and Without

By Gabrielle Bellot | August 22, 2017

The Unreality of Coming of Age

The Unreality of Coming of Age

Waking Dreams in Conversations with Friends and The Answers

By Clare Sestanovich | August 21, 2017

How Far Can Fascist Satire Go?

How Far Can Fascist Satire Go?

On the Troubling, Compelling Work of Curzio Malaparte

By Tobias Carroll | August 21, 2017

The Reluctant Spiritual Autobiographer   

The Reluctant Spiritual Autobiographer   

Adrian Shirk Didn't Know What Kind of Book She Was Writing Until She Was Half-Way Through

By Adrian Shirk | August 21, 2017

Pursuing the Artfully Naked

Pursuing the Artfully Naked "I": The Myth-Making of Kathy Acker

Seeking the Iconic Status of Great Writer as Countercultural Hero

By Chris Kraus | August 18, 2017

Air Travel: From Majesty to Drudgery in 100 Years

Air Travel: From Majesty to Drudgery in 100 Years

From Saint-Exupéry to DeLillo, the Way We Write About Flight

By Ellie Robins | August 18, 2017

Best Reviewed
Books of the Week

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  • The Flower Bearers
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  • Every One Still Here: Stories
  • Once There Was a Town: The Memory Books of a Lost Jewish World
  • The Typewriter and the Guillotine: An American Journalist, a German Serial Killer, and Paris on the Eve of WWII

What Poetry Can Teach Us About Power

By Matthew Zapruder | August 16, 2017

What Does it Mean When We Call a Key a "Slave"?

By Peggy Shinner | August 14, 2017

The Useful Dangers of Fairy Tales

By Amber Sparks | August 11, 2017

On Nanni Balestrini, the Most Radically Formalist Poet of the Italian Scene

On Nanni Balestrini, the Most Radically Formalist Poet of the Italian Scene

Both a Literary witness in the Theater of Conflict and an Actor on the Stage

By Franco “Bifo” Berardi | August 11, 2017

How Much of Einstein's Theory of Relativity is in the Writing of Virginia Woolf?

How Much of Einstein's Theory of Relativity is in the Writing of Virginia Woolf?

Gabrielle Bellot on the Bloomsbury Writer's Fixation on Contemporary Science

By Gabrielle Bellot | August 10, 2017

Toward a New Climate Change Genre: First Impact Fiction

Toward a New Climate Change Genre: First Impact Fiction

Ashley Shelby: The Apocalypse is Now

By Ashley Shelby | August 9, 2017

Rereading <em>Mrs. Dalloway</em> at the Same Age as Mrs. Dalloway

Rereading Mrs. Dalloway at the Same Age as Mrs. Dalloway

"I Will Gather the Folds of My Life Together, in the Way Clarissa Does"

By Carole Burns | August 3, 2017

There's No Such Thing As Historical Fiction

There's No Such Thing As Historical Fiction

Paul Lynch on What the Fictional Past Reveals of the Real-Life Present

By Paul Lynch | July 26, 2017

The Radical Potential of Queer Road Novels

The Radical Potential of Queer Road Novels

Looking Beyond the Bro-Canon

By Allison Gallagher | July 25, 2017

How a Book About Grover Revealed to Me the Wide World of Literature

How a Book About Grover Revealed to Me the Wide World of Literature

From Joyce to Kafka to The Monster at the End of the Book

By David Burr Gerrard | July 18, 2017

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    • Monsters, Myths, and Our Desire to Be ScaredJanuary 26, 2026 by Annelise Ryan
    • Departure(s)
    • The Best Reviewed Books of the Week
    • "Slim and stark Barnes s prose is largely stripped bare it resembles a tall ship…"
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