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A Shed of One’s Own: Louise Kennedy on the Blissful Semi-Solitude of Her Backyard Writing Space

A Shed of One’s Own: Louise Kennedy on the Blissful Semi-Solitude of Her Backyard Writing Space

“During the pandemic, I felt like the luckiest woman in Ireland.”

By Louise Kennedy | November 1, 2022

How Bearing Witness to Nature Helped Me Delve Into History

How Bearing Witness to Nature Helped Me Delve Into History

Teow Lim Goh on the Link Between Landscape and Diaspora

By Teow Lim Goh | November 1, 2022

Manuel Muñoz on Trying and Failing to Tell The Story of His Biological Father

Manuel Muñoz on Trying and Failing to Tell The Story of His Biological Father

“Everyone asked me how I felt, but the mystery was how he had felt.”

By Manuel Muñoz | November 1, 2022

“How Do They Explain Themselves to Themselves?” Stacey D’Erasmo on Writing a Financial Crime Novel

“How Do They Explain Themselves to Themselves?” Stacey D’Erasmo on Writing a Financial Crime Novel

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | October 31, 2022

Andrea Bartz on Trusting the Craft You Already Know

Andrea Bartz on Trusting the Craft You Already Know

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | October 31, 2022

Carl Phillips on the Value of Silence for Writers

Carl Phillips on the Value of Silence for Writers

“Sometimes the problem is that we’re trying too hard.”

By Carl Phillips | October 28, 2022

Best Reviewed
Books of the Week

  • Country People
  • You Won't Get Free of It: Stories of Mothers and Daughters
  • Exit Stalin: The Soviet Union as a Civilization, 1953-1991
  • The Great Wherever
  • A Sudden Flicker of Light: A Revisionist History of Movies
  • The Simp: A Novel Without a Hero

What I Write in My Journal is Just for Me (It is Not My Memoir)

By Jeanna Kadlec | October 28, 2022

When Awe Meets Narrative: On Chasing Local Folklore at the Edge of the Ocean

By Emily Urquhart | October 28, 2022

Lydia Millet on the Lack of Empathetic Characters in Fiction

By The Maris Review | October 27, 2022

WATCH: Billy-Ray Belcourt Discusses His Debut Novel, <em>A Minor Chorus</em>

WATCH: Billy-Ray Belcourt Discusses His Debut Novel, A Minor Chorus

Hosted by Greenlight Bookstore

By The Virtual Book Channel | October 27, 2022

Ingrid Rojas Contreras on What’s Gained by Losing Language

Ingrid Rojas Contreras on What’s Gained by Losing Language

From Micro, a Podcast for Short But Powerful Writing

By Micro Podcast | October 27, 2022

On the Ethics of Writing About Social Issues (While Minimizing Harm)

On the Ethics of Writing About Social Issues (While Minimizing Harm)

Kavita Das Lists Some Key Questions to Ask

By Kavita Das | October 27, 2022

The Annotated Nightstand: What Ross Gay is Reading Now and Next

The Annotated Nightstand: What Ross Gay is Reading Now and Next

A Series by Diana Arterian

By Diana Arterian | October 27, 2022

“Before the Words Became Pages, We Were Eating.” Why Kay Ulanday Barrett’s Best Poems Are About Food

“Before the Words Became Pages, We Were Eating.” Why Kay Ulanday Barrett’s Best Poems Are About Food

In Conversation with Jordan Kisner on Thresholds

By Thresholds | October 26, 2022

Emily Flitter on What She Learned From a Source’s Silence

Emily Flitter on What She Learned From a Source’s Silence

“The book itself didn’t matter. The act of listening to the stories I was hearing and responding with care and concern did.”

By Emily Flitter | October 26, 2022

“A Lot of People Can’t Stomach It.” Jonathan Escoffery on the Paradox of Writing About Poverty

“A Lot of People Can’t Stomach It.” Jonathan Escoffery on the Paradox of Writing About Poverty

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | October 26, 2022

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    • Seicho Matsumoto's A Quiet Place Is a Dark Fairy-Tale of Post-War JapanJuly 16, 2026 by Pico Iyer
    • Jack Friday on 'The Big Sleep', Invented Cities, and Chronicling a Changing Austin, TexasJuly 16, 2026 by Jack Friday
    • Country People
    • The Best Reviewed Books of the Week
    • "Wonderfully dry intellectually frisky Mason is a lively fluid writer here he glides smoothly between…"
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