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Nariman Youssef on Migration, Translation, and the Complexities of the “Mother Tongue”

Nariman Youssef on Migration, Translation, and the Complexities of the “Mother Tongue”

This Week from The Common Podcast

By The Common | October 22, 2021

Jennifer Estep on Her Favorite Character of All Time to Write

Jennifer Estep on Her Favorite Character of All Time to Write

In Conversation with Gabrielle Mathieu on the New Books Network

By New Books Network | October 22, 2021

Julia Elliott and DaMaris B. Hill on Writing Rural America

Julia Elliott and DaMaris B. Hill on Writing Rural America

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | October 21, 2021

TaraShea Nesbit on Reckoning With Ghosts, and Returning to the Same Story, Again and Again

TaraShea Nesbit on Reckoning With Ghosts, and Returning to the Same Story, Again and Again

“There is a backward-looking thing in all good stories and essays: a haunting.”

By TaraShea Nesbit | October 21, 2021

Chris Hedges on Teaching Playwriting in Prison

Chris Hedges on Teaching Playwriting in Prison

Writing Exercises, Sincerity, and Amiri Baraka’s Dutchman

By Chris Hedges | October 21, 2021

This 1998 advice from Ursula K. Le Guin about gender-neutral language is still relevant.

This 1998 advice from Ursula K. Le Guin about gender-neutral language is still relevant.

By Vanessa Willoughby | October 20, 2021

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

Reading Women on the Emotional Complexities in Women’s Crime Fiction

By Reading Women | October 20, 2021

Writing Through Trauma, Past and Present: On the Legacies of Catholic Ireland

By Elaine Feeney | October 20, 2021

Tiphanie Yanique on Moving Beyond Traditional Hero Narratives

By Jane Ciabattari | October 19, 2021

“Cut, Cut, Cut, Until the Spirit Shines Through.” Sarah Ruhl on Craft and Catharsis

“Cut, Cut, Cut, Until the Spirit Shines Through.” Sarah Ruhl on Craft and Catharsis

The Author of Smile in Conversation With Playwright, Beth Henley

By Beth Henley | October 19, 2021

Forrest Gander on Grief, Translation, and Sharing Joy in Times of Suffering

Forrest Gander on Grief, Translation, and Sharing Joy in Times of Suffering

In Conversation with Paul Holdengräber on The Quarantine Tapes

By The Quarantine Tapes | October 19, 2021

Writing from Home: Lessons from a Novelist-Slash-Small-Town Newspaper Columnist

Writing from Home: Lessons from a Novelist-Slash-Small-Town Newspaper Columnist

Nickolas Butler on Writing as an Act of Service and the Power of Local News

By Nickolas Butler | October 18, 2021

How Do You Write About People Who Don’t Want To Be Written About?

How Do You Write About People Who Don’t Want To Be Written About?

Ethan Lou on Unauthorized Biographies and Uncomfortable Writing

By Ethan Lou | October 18, 2021

Richard Powers on the Duplicity of Bewilderment

Richard Powers on the Duplicity of Bewilderment

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | October 18, 2021

Read Ezra Pound’s extensive revisions to T. S. Eliot’s <em>The Waste Land</em>.

Read Ezra Pound’s extensive revisions to T. S. Eliot’s The Waste Land.

By Vanessa Willoughby | October 15, 2021

Jonathan Franzen on Reckoning with the Limits and Purposes of Writing Novels

Jonathan Franzen on Reckoning with the Limits and Purposes of Writing Novels

This Week on the Radio Open Source Podcast

By Open Source | October 15, 2021

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    • The Best Reviewed Books of the Month: January 2026January 30, 2026 by CrimeReads
    • Adrian McKinty's The Chain Gets an HBO Series OrderJanuary 29, 2026 by Olivia Rutigliano
    • 5 Novels with Perfectly Unsympathetic ProtagonistsJanuary 29, 2026 by Sophie Hannah
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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