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Thrifted Suits, Gender Anarchy, and the Power of a Writing Uniform

Thrifted Suits, Gender Anarchy, and the Power of a Writing Uniform

Heidi Sopinka on Sartorial Experimentation

By Heidi Sopinka | September 29, 2022

WATCH: Saeed Jones on the Apocalypse as a State of Being

WATCH: Saeed Jones on the Apocalypse as a State of Being

In Conversation with Adam Falkner at Greenlight Bookstore

By The Virtual Book Channel | September 29, 2022

Jasmine Guillory on Why Rom-Coms Are Exactly What We Need Right Now

Jasmine Guillory on Why Rom-Coms Are Exactly What We Need Right Now

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | September 29, 2022

In Praise of TK: Why the Handy Shorthand Has a Surprising Emotional Hold on Me

In Praise of TK: Why the Handy Shorthand Has a Surprising Emotional Hold on Me

Sophie Vershbow on the Remnants of Past Careers That Stay with Us

By Sophie Vershbow | September 29, 2022

Jonathan Escoffery Talks About How Belonging Shifts Across Generations

Jonathan Escoffery Talks About How Belonging Shifts Across Generations

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | September 29, 2022

Saeed Jones on the Poetic Economy of Language

Saeed Jones on the Poetic Economy of Language

This Week on The Writers Institute Podcast, From the Archives of the New York State Writers Institute

By The Writers Institute | September 29, 2022

Best Reviewed
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  • Permanence
  • No Way Home
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  • If This Be Magic: The Unlikely Art of Shakespeare in Translation

WATCH: Emma Ramadan on Translating Marguerite Duras’s Panics

By The Virtual Book Channel | September 28, 2022

How Amnesia Helped Ingrid Rojas Contreras Tell Her Family’s Stories

By Thresholds | September 28, 2022

Chelsea Martin on Accepting Her Writing Voice

By Otherppl with Brad Listi | September 28, 2022

Kamila Shamsie on Finding the Perfect Writing Space

Kamila Shamsie on Finding the Perfect Writing Space

“Perhaps there is no such thing as my writing space except wherever I happen to find myself.”

By Kamila Shamsie | September 27, 2022

Hafizah Augustus Geter on Personhood, Race, and Origin in America Today

Hafizah Augustus Geter on Personhood, Race, and Origin in America Today

In Conversation with Andrew Keen on Keen On

By Keen On | September 27, 2022

Yiyun Li on Writing Advice (the Good, the Bad) and the Books She Always Returns To

Yiyun Li on Writing Advice (the Good, the Bad) and the Books She Always Returns To

The Author of The Book of Goose Takes the Lit Hub Questionnaire

By Literary Hub | September 26, 2022

Neither Villain Nor Victim: Stacey D’Erasmo on Embracing Discomfort in Telling the Story of a Complicit Woman

Neither Villain Nor Victim: Stacey D’Erasmo on Embracing Discomfort in Telling the Story of a Complicit Woman

What It Means to Write in the Direction of Darkness

By Stacey D'Erasmo | September 26, 2022

Qian Julie Wang on Commuting, People-Watching, and Letting the Story Marinate

Qian Julie Wang on Commuting, People-Watching, and Letting the Story Marinate

“I delete and demolish with zeal.”

By Literary Hub | September 26, 2022

Jonathan Escoffery on Playing Out Some of His Worst Fears on the Page

Jonathan Escoffery on Playing Out Some of His Worst Fears on the Page

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | September 26, 2022

Stacey D’Erasmo on the Fun of Writing Cryptic Characters

Stacey D’Erasmo on the Fun of Writing Cryptic Characters

“The world itself is an ambiguous, complicated place.”

By Stacey D'Erasmo | September 23, 2022

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    • Lynn Cahoon on Choosing Whether to Set Cozies in Real or Fictional PlacesMay 1, 2026 by Lynn Cahoon
    • Permanence
    • The Best Reviewed Books of the Week
    • "Mackintosh has a spare and confident hand Her work is sometimes described as dreamlike certainly…"
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