Chris Hedges on Teaching Playwriting in Prison

Chris Hedges on Teaching Playwriting in Prison

Writing Exercises, Sincerity, and Amiri Baraka’s Dutchman

By Chris Hedges | October 21, 2021

This 1998 advice from Ursula K. Le Guin about gender-neutral language is still relevant.

This 1998 advice from Ursula K. Le Guin about gender-neutral language is still relevant.

By Vanessa Willoughby | October 20, 2021

<em>Reading Women</em> on the Emotional Complexities in Women’s Crime Fiction

Reading Women on the Emotional Complexities in Women’s Crime Fiction

This Week from the Reading Women Podcast

By Reading Women | October 20, 2021

Writing Through Trauma, Past and Present: On the Legacies of Catholic Ireland

Writing Through Trauma, Past and Present: On the Legacies of Catholic Ireland

Elaine Feeney Considers the Emotional Journey to Her Novel, As You Were

By Elaine Feeney | October 20, 2021

Tiphanie Yanique on Moving Beyond Traditional Hero Narratives

Tiphanie Yanique on Moving Beyond Traditional Hero Narratives

Jane Ciabattari Talks to the Author of Monster in the Middle

By Jane Ciabattari | October 19, 2021

“Cut, Cut, Cut, Until the Spirit Shines Through.” Sarah Ruhl on Craft and Catharsis

“Cut, Cut, Cut, Until the Spirit Shines Through.” Sarah Ruhl on Craft and Catharsis

The Author of Smile in Conversation With Playwright, Beth Henley

By Beth Henley | October 19, 2021

Best Reviewed
Books of the Week

  • House of Day, House of Night
  • The Award
  • Daring to Be Free: Rebellion and Resistance of the Enslaved in the Atlantic World
  • Casanova 20: Or, Hot World
  • Frostlines: A Journey Through Entangled Lives and Landscapes in a Warming Arctic
  • The Six Loves of James I

Forrest Gander on Grief, Translation, and Sharing Joy in Times of Suffering

By The Quarantine Tapes | October 19, 2021

Writing from Home: Lessons from a Novelist-Slash-Small-Town Newspaper Columnist

By Nickolas Butler | October 18, 2021

How Do You Write About People Who Don’t Want To Be Written About?

By Ethan Lou | October 18, 2021

Richard Powers on the Duplicity of Bewilderment

Richard Powers on the Duplicity of Bewilderment

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | October 18, 2021

Read Ezra Pound's extensive revisions to T. S. Eliot's <em>The Waste Land</em>.

Read Ezra Pound's extensive revisions to T. S. Eliot's The Waste Land.

By Vanessa Willoughby | October 15, 2021

Jonathan Franzen on Reckoning with the Limits and Purposes of Writing Novels

Jonathan Franzen on Reckoning with the Limits and Purposes of Writing Novels

This Week on the Radio Open Source Podcast

By Open Source | October 15, 2021

Marguerite Duras on Finding Stories Everywhere

Marguerite Duras on Finding Stories Everywhere

“Around us, everything is writing.”

By Marguerite Duras | October 15, 2021

Alfred Molina on His Genre- and Character-Spanning Career

Alfred Molina on His Genre- and Character-Spanning Career

In Conversation with Josephine Reed for AudioFile Magazine

By Behind the Mic | October 15, 2021

Mondiant Dogon on Writing as an Important and Difficult Healing Process

Mondiant Dogon on Writing as an Important and Difficult Healing Process

Jenna Krajeski Talks to Her Co-Writer and Author of Those We Throw Away Are Diamonds

By Jenna Krajeski | October 15, 2021

Steph Cha on Choosing the Best of Mystery and Suspense During an Unprecedented and Harrowing Year

Steph Cha on Choosing the Best of Mystery and Suspense During an Unprecedented and Harrowing Year

“If mystery writers are paying attention, it should have a transformative effect on the genre.”

By Steph Cha | October 14, 2021

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