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Breaking Through the Self-Mythologizing of the Male Artist as a Woman Biographer

Breaking Through the Self-Mythologizing of the Male Artist as a Woman Biographer

Gabrielle Selz on Sam Francis and the Boy’s Club of the Art World

By Gabrielle Selz | October 28, 2021

What’s Missing Here? A Fragmentary, Lyric Essay About Fragmentary, Lyric Essays

What’s Missing Here? A Fragmentary, Lyric Essay About Fragmentary, Lyric Essays

Julie Marie Wade on the Mode That Never Quite Feels Finished

By Julie Marie Wade | October 28, 2021

Lucy Corin on the Near-Death Experience That Changed Everything

Lucy Corin on the Near-Death Experience That Changed Everything

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | October 28, 2021

A Year Later: Andrea Abi-Karam and Kay Gabriel Reflect on Political Radicalism, Inventive Aesthetics, and the Publication of Their Anthology

A Year Later: Andrea Abi-Karam and Kay Gabriel Reflect on Political Radicalism, Inventive Aesthetics, and the Publication of Their Anthology

Peter Mishler Talks to the Editors of We Want It All: An Anthology of Radical Trans Poetics

By Peter Mishler | October 28, 2021

"Anybody's life could be a wonderful piece of art." Read Maxine Hong Kingston's best writing advice.

By Vanessa Willoughby | October 27, 2021

Saïd Sayrafiezadeh on Growing Up in the Socialist Workers Party

Saïd Sayrafiezadeh on Growing Up in the Socialist Workers Party

In Conversation with Jordan Kisner on the Thresholds Podcast

By Thresholds | October 27, 2021

Best Reviewed
Books of the Week

  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • The Hitch
  • Fly, Wild Swans: My Mother, Myself and China

On Writing a Book For Dog People

By Nathaniel Ian Miller | October 27, 2021

Frances Badalamenti on the Fleeting, Painful Freedom of Youth and Writing as Self-Care

By Chloé Caldwell | October 27, 2021

Jen Campbell on Disability, Productivity, and Perspective

By Reading Women | October 27, 2021

How Should You Name Your Characters?

How Should You Name Your Characters?

Alison Stine on Conveying Setting, Style and Identity through One Important Word

By Alison Stine | October 26, 2021

How to Write an Obituary For Your Mother

How to Write an Obituary For Your Mother

Jenny Qi on the Limits of Language in the Face of Tragedy

By Jenny Qi | October 26, 2021

Lauren Groff on Maintaining the “Electric Jolt” of an Idea While Writing

Lauren Groff on Maintaining the “Electric Jolt” of an Idea While Writing

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | October 25, 2021

The Pleasure(s) of Pen(s) on Paper

The Pleasure(s) of Pen(s) on Paper

Danielle Taschereau Mamers on the Intimate Act of Mark-Making

By Danielle Taschereau Mamers | October 25, 2021

Unlearning the Sunk Cost Fallacy, in Writing and in Love

Unlearning the Sunk Cost Fallacy, in Writing and in Love

Hazel Hayes on the Power of Walking Away

By Hazel Hayes | October 25, 2021

Notes on Queerness and Camp in Crime Fiction

Notes on Queerness and Camp in Crime Fiction

Tice Cin Examines the Coexistence of Adventure and the Domestic

By Tice Cin | October 25, 2021

Mary Gaitskill on Borrowing From Real Life in Writing (and the Dreams That Guided Her)

Mary Gaitskill on Borrowing From Real Life in Writing (and the Dreams That Guided Her)

How the Author of Veronica Tries to Honor the World

By Mary Gaitskill | October 22, 2021

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    • New Series to Watch this WeekendJanuary 16, 2026 by Olivia Rutigliano
    • Novelist Van Jensen Talks with His Mother, Acclaimed Painter Jean Jensen, About Art, Literature, and FamilyJanuary 16, 2026 by Van Jensen
    • The Historical Implications and Fictional Possibilities of the Hindenberg DisasterJanuary 16, 2026 by L. A. Chandlar
    • This Is Where the Serpent Lives
    • The Best Reviewed Books of the Week
    • "Sensitive and powerful The women in em This Is Where the Serpent Lives em are…"
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