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Jonathan Escoffery Talks About How Belonging Shifts Across Generations

Jonathan Escoffery Talks About How Belonging Shifts Across Generations

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | September 29, 2022

Saeed Jones on the Poetic Economy of Language

Saeed Jones on the Poetic Economy of Language

This Week on The Writers Institute Podcast, From the Archives of the New York State Writers Institute

By The Writers Institute | September 29, 2022

WATCH: Emma Ramadan on Translating Marguerite Duras’s <em>Panics</em>

WATCH: Emma Ramadan on Translating Marguerite Duras’s Panics

In Conversation with Kate Zambreno at Greenlight Bookstore

By The Virtual Book Channel | September 28, 2022

How Amnesia Helped Ingrid Rojas Contreras Tell Her Family’s Stories

How Amnesia Helped Ingrid Rojas Contreras Tell Her Family’s Stories

In Conversation with Jordan Kisner on Thresholds

By Thresholds | September 28, 2022

Chelsea Martin on Accepting Her Writing Voice

Chelsea Martin on Accepting Her Writing Voice

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | September 28, 2022

Kamila Shamsie on Finding the Perfect Writing Space

Kamila Shamsie on Finding the Perfect Writing Space

“Perhaps there is no such thing as my writing space except wherever I happen to find myself.”

By Kamila Shamsie | September 27, 2022

Best Reviewed
Books of the Week

Hafizah Augustus Geter on Personhood, Race, and Origin in America Today

By Keen On | September 27, 2022

Yiyun Li on Writing Advice (the Good, the Bad) and the Books She Always Returns To

By Literary Hub | September 26, 2022

Neither Villain Nor Victim: Stacey D’Erasmo on Embracing Discomfort in Telling the Story of a Complicit Woman

By Stacey D'Erasmo | September 26, 2022

Qian Julie Wang on Commuting, People-Watching, and Letting the Story Marinate

Qian Julie Wang on Commuting, People-Watching, and Letting the Story Marinate

“I delete and demolish with zeal.”

By Literary Hub | September 26, 2022

Jonathan Escoffery on Playing Out Some of His Worst Fears on the Page

Jonathan Escoffery on Playing Out Some of His Worst Fears on the Page

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | September 26, 2022

Stacey D’Erasmo on the Fun of Writing Cryptic Characters

Stacey D’Erasmo on the Fun of Writing Cryptic Characters

“The world itself is an ambiguous, complicated place.”

By Stacey D'Erasmo | September 23, 2022

Not Just Lyrics and Melodies: How Producers Conceive of Music

Not Just Lyrics and Melodies: How Producers Conceive of Music

Susan Rogers and Ogi Ogas on the Intersections of Musical Form and Functionality

By Susan Rogers and Ogi Ogas | September 22, 2022

Yiyun Li on Complicated Friendships Real and Imagined

Yiyun Li on Complicated Friendships Real and Imagined

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | September 22, 2022

Why Jazz? Laura Warrell on Devotion to a “Dying” Art Form

Why Jazz? Laura Warrell on Devotion to a “Dying” Art Form

The Author of Sweet, Soft, Plenty Rhythm Considers the Mysteries of Art and Love

By Laura Warrell | September 20, 2022

How the Trapper Keeper Shaped a Generation of Writers

How the Trapper Keeper Shaped a Generation of Writers

Jess deCourcy Hinds on the Most Popular School Supply of All Time

By Jess deCourcy Hinds | September 19, 2022

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