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Intrigue, Not Critique: On the “Portrait of the Artist” Feedback Model

Intrigue, Not Critique: On the “Portrait of the Artist” Feedback Model

Florence Gonsalves and Matthew Vollmer Discuss Democratizing the Writing Workshop

By Florence Gonsalves and Matthew Vollmer | April 5, 2023

Sarah Bakewell on Posthumanism, Transhumanism, and What it Actually Means to Be “Human”

Sarah Bakewell on Posthumanism, Transhumanism, and What it Actually Means to Be “Human”

“Will machine minds ever acquire anything like our ability to have thoughts of seriousness and depth?”

By Sarah Bakewell | April 5, 2023

Max Porter Reads from His New Novel <em>Shy</em>

Max Porter Reads from His New Novel Shy

From Damian Barr’s Literary Salon Podcast

By Damian Barr's Literary Salon | April 5, 2023

J Wortham on the Power of Changes

J Wortham on the Power of Changes

In Conversation with Guest Host Mira Jacob on Thresholds

By Thresholds | April 5, 2023

Poets Jennifer Michael Hecht and Matthew Zapruder on Wonder, the Secular Sacred, and the Surprising Power of “Once Upon a Time”

Poets Jennifer Michael Hecht and Matthew Zapruder on Wonder, the Secular Sacred, and the Surprising Power of “Once Upon a Time”

A Conversation on Wonder, the Secular Sacred, Stories, and the Surprising Power of "Once Upon a Time"

By Matthew Zapruder | April 5, 2023

Time and Materials: On the Art of the Experimental Memoir

Time and Materials: On the Art of the Experimental Memoir

John West Considers the Literary Fragment

By John West | April 5, 2023

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • Homeschooled: A Memoir
  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

23 new books out today.

By Gabrielle Bellot | April 4, 2023

Another World is Possible: On the Universal Language of Trees

By Katie Holten | April 4, 2023

Charles Frazier on How the Past Converses With the Present

By Jane Ciabattari | April 4, 2023

Viet Thanh Nguyen on the Cover of His New Memoir

Viet Thanh Nguyen on the Cover of His New Memoir

“It often feels like a cover designer I have not met has captured some dimension of the book I have not been aware.”

By Viet Thanh Nguyen | April 4, 2023

The Revolutionary Power of Palestinian Theater

The Revolutionary Power of Palestinian Theater

Isabella Hammad Reflects on How Art Can Still Effect Change

By Isabella Hammad | April 4, 2023

Kelly Link on Short Stories Cannibalizing Her Novel Ideas

Kelly Link on Short Stories Cannibalizing Her Novel Ideas

In Conversation with Christopher Hermelin on So Many Damn Books

By So Many Damn Books | April 4, 2023

From Arthuriana to Space Opera: April’s Best Sci-Fi and Fantasy Books

From Arthuriana to Space Opera: April’s Best Sci-Fi and Fantasy Books

New Fantasies and Fables from Catherynne M. Valente, Fonda Lee, Peter S. Beagle, and more

By Natalie Zutter | April 3, 2023

Clint Smith: “What Does it Mean to Carry Wonder and Despair in Your Body at the Same Time?”

Clint Smith: “What Does it Mean to Carry Wonder and Despair in Your Body at the Same Time?”

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | April 3, 2023

Fabio Pusterla on Discovering a Lifelong Love of Poetry

Fabio Pusterla on Discovering a Lifelong Love of Poetry

“I felt as though I’d found a language and voice capable of articulating my inner life.”

By Fabio Pusterla and Will Schutt | April 3, 2023

On the Nested Worlds of Novelist Marina Warner

On the Nested Worlds of Novelist Marina Warner

Lucy Scholes Revisits Booker Shortlisted The Lost Father

By Lucy Scholes | April 3, 2023

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    • The Rest of Our Lives
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    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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