Beyond the “Whodunnit.” Paula Hawkins on the Importance of Gray Areas in Crime Novels

Beyond the “Whodunnit.” Paula Hawkins on the Importance of Gray Areas in Crime Novels

This Week from the Reading Women Podcast

By Reading Women | September 22, 2021

A Bigger Tent Is Always Better: How Ryka Aoki and Andrea Hairston Approach Genre Writing

A Bigger Tent Is Always Better: How Ryka Aoki and Andrea Hairston Approach Genre Writing

This Week from Tor Presents: Voyage Into Genre

By Tor Presents: Voyage into Genre | September 22, 2021

“The Writer You Are is Enough.” Ruth Ozeki on Process and Acceptance

“The Writer You Are is Enough.” Ruth Ozeki on Process and Acceptance

The Author of The Book of Form and Emptiness Takes the Lit Hub Questionnaire

By Literary Hub | September 21, 2021

Kevin McIlvoy on a Novel Can Make Room for Dynamic Crowding

Kevin McIlvoy on a Novel Can Make Room for Dynamic Crowding

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | September 20, 2021

Sanjena Sathian on the Downfalls of Ambition

Sanjena Sathian on the Downfalls of Ambition

This Week on the Book Dreams Podcast

By Book Dreams | September 16, 2021

Lauren Groff Knows You’re Getting Her Book Title Wrong

Lauren Groff Knows You’re Getting Her Book Title Wrong

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | September 16, 2021

Best Reviewed
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  • The Pelican Child: Stories
  • Languages of Home: Essays on Writing, Hoop, and American Lives 1975-2025
  • On the Calculation of Volume (Book III)
  • The Ferryman and His Wife
  • Empire of Orgasm: Sex, Power, and the Downfall of a Wellness Cult
  • Mexico: A 500-Year History

WATCH: Jai Chakrabarti Launches His Debut Novel

By The Virtual Book Channel | September 16, 2021

T. C. Boyle Craves Structure, in Life and on the Page

By Literary Hub | September 15, 2021

Sarah Gilmartin Reads from Dinner Party: A Tragedy

By Damian Barr's Literary Salon | September 15, 2021

Colson Whitehead: Why a Heist Novel Was the Best Way to Tell the Story of New York

Colson Whitehead: Why a Heist Novel Was the Best Way to Tell the Story of New York

“I wanted to salute that moment of night and those nighthawks.”

By Dwyer Murphy | September 14, 2021

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

Featuring Ben Apatoff, Callie Garnett, Lee Matthew Goldberg, and More

By Teddy Wayne | September 14, 2021

Julie Shapiro and Claire Boyle on Reversing Roles for the 64th Issue of McSweeney’s

Julie Shapiro and Claire Boyle on Reversing Roles for the 64th Issue of McSweeney’s

This Week on the So Many Damn Books Podcast

By So Many Damn Books | September 14, 2021

Anna Qu Talks Betrayal, Immigration, and Assimilation

Anna Qu Talks Betrayal, Immigration, and Assimilation

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | September 13, 2021

“Profoundly, Deeply, Centrally Sensual.” Robert Olen Butler on the Kinesthetic Experience of Writing

“Profoundly, Deeply, Centrally Sensual.” Robert Olen Butler on the Kinesthetic Experience of Writing

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | September 13, 2021

Tolstoy Forever: Brigid Hughes and Yiyun Li on Retweeting a Russian Classic

Tolstoy Forever: Brigid Hughes and Yiyun Li on Retweeting a Russian Classic

In Conversation with V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | September 9, 2021

Maggie Nelson on Criticism, Intentionality, and Pain

Maggie Nelson on Criticism, Intentionality, and Pain

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | September 9, 2021

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