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WATCH: Catherine Menon and Colm Tóibín at the Hay Festival

WATCH: Catherine Menon and Colm Tóibín at the Hay Festival

The Debut Novelist Discusses Her New Book, Fragile Monsters

By The Virtual Book Channel | May 28, 2021

Interview with a Journal: <em>The Yale Review</em>

Interview with a Journal: The Yale Review

Everything You Need to Know About the Oldest Literary Journal in the United States

By Vanessa Willoughby | May 28, 2021

Sanjena Sathian on Writing into Obsessions You'd Rather Avoid

Sanjena Sathian on Writing into Obsessions You'd Rather Avoid

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | May 27, 2021

Julie Sternberg on Writing Her Most Personal Book to Date

Julie Sternberg on Writing Her Most Personal Book to Date

This Week on the Book Dreams Podcast

By Book Dreams | May 27, 2021

Brandon Stosuy on “Cultivating an Art of Noticing” in the Age of Scrolling

Brandon Stosuy on “Cultivating an Art of Noticing” in the Age of Scrolling

With Thoughts From Sarah Gerard, Ling Ma, and More

By Brandon Stosuy | May 26, 2021

How a Sensitivity Reader Gave Me a Clearer Picture of My Grandfather

How a Sensitivity Reader Gave Me a Clearer Picture of My Grandfather

Katie Booth on the Unfortunate Legacy Alexander Graham Bell Had For Her Family

By Katie Booth | May 26, 2021

Best Reviewed
Books of the Week

  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • The Hitch
  • Fly, Wild Swans: My Mother, Myself and China

Hilary Leichter: “I Don’t Feel Like I’m in a Realist World”

By Thresholds | May 26, 2021

"Get in, get out. Don't linger. Go on." Read Raymond Carver's greatest writing advice.

By Emily Temple | May 25, 2021

Marisa Silver Revisits the Golden Dawn of Girlhood

By Jane Ciabattari | May 25, 2021

Toward a Typology of Titles, Or: What the Hell to Call a Story

Toward a Typology of Titles, Or: What the Hell to Call a Story

Chris Drangle Takes an Objective Look at an Excruciatingly Subjective Endeavor

By Chris Drangle | May 24, 2021

Jenn Shapland on Confronting Her Own Sexuality to Tell Carson McCullers’ Story

Jenn Shapland on Confronting Her Own Sexuality to Tell Carson McCullers’ Story

This Week from the Big Table Podcast

By Big Table | May 24, 2021

Anna North on Finding a Narrative Space Between Dystopia and Utopia

Anna North on Finding a Narrative Space Between Dystopia and Utopia

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | May 24, 2021

To Be a Person: Barrett Swanson and Jordan Kisner in Conversation

To Be a Person: Barrett Swanson and Jordan Kisner in Conversation

The Lost in Summerland Author and Thin Places Author Consider the Myriad Methods of Narrative Structure

By Jordan Kisner | May 21, 2021

When a Year in the Life of Your Last-Chance Debut Novel Coincides with a Global Pandemic

When a Year in the Life of Your Last-Chance Debut Novel Coincides with a Global Pandemic

Claire Cox Remembers How the Life Before Became Life As It Is Now

By Claire Cox | May 21, 2021

How Writing a Novel Is Like Decrypting a Cipher

How Writing a Novel Is Like Decrypting a Cipher

Rafe Posey on Breaking Open the Kernel of an Idea

By Rafe Posey | May 21, 2021

John McPhee on Wrestling with a First Draft

John McPhee on Wrestling with a First Draft

"The first is the phase of the pit and the pendulum."

By John McPhee | May 21, 2021

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    • New Series to Watch this WeekendJanuary 16, 2026 by Olivia Rutigliano
    • Novelist Van Jensen Talks with His Mother, Acclaimed Painter Jean Jensen, About Art, Literature, and FamilyJanuary 16, 2026 by Van Jensen
    • The Historical Implications and Fictional Possibilities of the Hindenberg DisasterJanuary 16, 2026 by L. A. Chandlar
    • This Is Where the Serpent Lives
    • The Best Reviewed Books of the Week
    • "Sensitive and powerful The women in em This Is Where the Serpent Lives em are…"
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