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Kathryn Ma on Writing (Un)Reliable Optimistic Narrators

Kathryn Ma on Writing (Un)Reliable Optimistic Narrators

Jane Ciabattari Talks to the Author of The Chinese Groove

By Jane Ciabattari | January 17, 2023

Susanne Pari on Iran’s Rich History of Feminist Rebellion

Susanne Pari on Iran’s Rich History of Feminist Rebellion

The Author of In the Time of Our History Talks to Jane Ciabattari

By Jane Ciabattari | January 3, 2023

Rae Meadows on Immersing Herself in the World of Soviet Gymnastics

Rae Meadows on Immersing Herself in the World of Soviet Gymnastics

Jane Ciabattari Talks to the Author of Winterland

By Jane Ciabattari | December 20, 2022

Writing the Historical Mystery Novel: Jane Smiley Explains Her Process

Writing the Historical Mystery Novel: Jane Smiley Explains Her Process

Jane Ciabattari Talks to the Author of A Dangerous Business

By Jane Ciabattari | December 6, 2022

Novelist Katy Hays on What Tarot Tells Us About Ourselves

Novelist Katy Hays on What Tarot Tells Us About Ourselves

Jane Ciabattari Talks to the Author of The Cloisters

By Jane Ciabattari | November 22, 2022

David Treuer on Revisiting and Republishing His Debut Novel

David Treuer on Revisiting and Republishing His Debut Novel

Jane Ciabattari Talks to the Author of Little

By Jane Ciabattari | November 1, 2022

Best Reviewed
Books of the Week

  • Villa Coco
  • Something We Said: Richard Pryor, a Notorious Word, and Me
  • Contrapposto
  • Earth 7
  • The Traveler: One Man's Quest for Humanity from the South Seas to Revolutionary Paris
  • Flyboy in the Buttermilk: Essays on Contemporary America

Manuel Muñoz on Writing Through Uncertainty

By Jane Ciabattari | October 25, 2022

Lydia Millet on Long Extinct Creatures and Boundaries Real and Imaginary

By Jane Ciabattari | October 11, 2022

Namwali Serpell on the Complex Processes That Create Fiction

By Jane Ciabattari | September 27, 2022

Ling Ma on Patterns of Return and the Ways Speculative Fiction Helps Illuminate Real Life

Ling Ma on Patterns of Return and the Ways Speculative Fiction Helps Illuminate Real Life

Jane Ciabattari Talks to the Author of Bliss Montage

By Jane Ciabattari | September 13, 2022

Jonathan Escoffery on Navigating Identity, Blackness, and Literary Fame

Jonathan Escoffery on Navigating Identity, Blackness, and Literary Fame

Jane Ciabattari Talks to the Author of If I Survive You

By Jane Ciabattari | September 6, 2022

Sidik Fofana on Crafting Distinct and Unforgettable Literary Voices

Sidik Fofana on Crafting Distinct and Unforgettable Literary Voices

Jane Ciabattari Talks to the Author of Stories from Tenants Downstairs

By Jane Ciabattari | August 16, 2022

Marianne Wiggins on Completing a Novel After Suffering a Stroke and Finding Inspiration In California’s Dry Terrain

Marianne Wiggins on Completing a Novel After Suffering a Stroke and Finding Inspiration In California’s Dry Terrain

Jane Ciabattari Talks to the Author of Properties of Thirst

By Jane Ciabattari | August 2, 2022

Teddy Wayne on Loving the Outcasts

Teddy Wayne on Loving the Outcasts

The Author of The Great Man Theory talks to Jane Ciabattari

By Jane Ciabattari | July 26, 2022

Morgan Talty on Capturing the Uniqueness of Tribal Settings and Finding the Logic of a Story

Morgan Talty on Capturing the Uniqueness of Tribal Settings and Finding the Logic of a Story

The Author of Night of the Living Rez Talks to Jane Ciabattari

By Jane Ciabattari | July 12, 2022

Joseph Han on American Imperialism and the Korean Forever War

Joseph Han on American Imperialism and the Korean Forever War

Jane Ciabattari Talks to the Author of Nuclear Family

By Jane Ciabattari | June 28, 2022

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Page 7 of 18
    • (A.C.A.G.) All Cops Are Grotesque: Writing the Southern Gothic Police OfficerJune 16, 2026 by T.J. Martinson
    • Hilary Davidson on Learning to Love Unreliable NarratorsJune 16, 2026 by Hilary Davidson
    • Kimberly McCreight on Memoirs, Cheryl Strayed's 'Wild', and Climbing MountainsJune 16, 2026 by Kimberly McCreight
    • Villa Coco
    • The Best Reviewed Books of the Week
    • "None of this is particularly suspenseful the novel s chief revelation is telegraphed about halfway…"
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