August 4 – 8, 2025
- Writing James Baldwin’s life as a love story
- Advice for pitching translations in a bleak market
- Roy Scranton considers life in a perpetual apocalypse
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"She came in while I was recording and asked to listen to every Nina Simone album in the house. I was just about to introduce the next side: “How ’bout a little Herbie Hancock now, with George Coleman on tenor sax, Ron Carter on bass, Tony Williams on drums, and, of course, Herbie on piano . . . that’s right: ‘Maiden Voyage’ . . .”"
"It had been Marina’s idea. Keep Alexei Afanasievich from finding out about the changes in the outside world. Keep him in the same sunny yet frozen time when the unexpected stroke had cut him down. “Mama, his heart!” Marina had pleaded, having grasped instantly that, no matter how burdensome this recumbent body might be, it consumed far less than it contributed."