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Freeman’s
The Future of New Writing: David Searcy
From
Freeman's
, Issue Number Four
By
Freeman's
| September 19, 2017
The Future of New Writing: Ocean Vuong
From
Freeman's
, Issue Number Four
By
Freeman's
| September 19, 2017
The Future of New Writing: Elaine Castillo
From
Freeman's
, Issue Number Four
By
Freeman's
| September 19, 2017
The Future of New Writing: Ishion Hutchinson
From
Freeman's
, Issue Number Four
By
Freeman's
| September 19, 2017
The Future of New Writing: Heather O'Neill
From
Freeman's
, Issue Number Four
By
Freeman's
| September 19, 2017
The Future of New Writing: Fiona McFarlane
From
Freeman's
, Issue Number Four
By
Freeman's
| September 19, 2017
Best Reviewed
Books of the Week
The Future of New Writing: Xu Zechen
By
Freeman's
| September 19, 2017
The Future of New Writing: Garnette Cadogan
By
Freeman's
| September 19, 2017
The Future of New Writing: Athena Farrokhzad
By
Freeman's
| September 19, 2017
The Future of New Writing: Tania James
From
Freeman's
, Issue Number Four
By
Freeman's
| September 19, 2017
The Future of New Writing: Introducing
Freeman's
, Issue Four
New Writing from Valeria Luiselli, Samanta Schweblin, Édouard Louis, and More
By
John Freeman
| September 19, 2017
The Future of New Writing: A Yi
From
Freeman's
, Issue Number Four
By
Freeman's
| September 19, 2017
The Future of New Writing: Andrés Felipe Solano
From
Freeman's
, Issue Number Four
By
Freeman's
| September 19, 2017
The Future of New Writing: Samanta Schweblin
From
Freeman's
, Issue Number Four
By
Freeman's
| September 19, 2017
The Future of New Writing: Valeria Luiselli
From
Freeman's
, Issue Number Four
By
Freeman's
| September 19, 2017
The Future of New Writing: Mariana Enríquez
From
Freeman's
, Issue Number Four
By
Freeman's
| September 19, 2017
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Page 8 of 8
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"Poignant Tender The final line of em The Rest of Our Lives em is by…"