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When a Novelist Becomes an Ultramarathoner

When a Novelist Becomes an Ultramarathoner

Ashley Ream on the Lessons of Endurance

By Ashley Ream | May 26, 2016

Adapting the Tibetan Book of the Dead: On <em>Bardo or not Bardo</em>

Adapting the Tibetan Book of the Dead: On Bardo or not Bardo

Ghosts, Prisons, and An Intermediary Void

By J.T. Mahany | May 25, 2016

How to Write Fully-Formed Characters in Fiction

How to Write Fully-Formed Characters in Fiction

"As with place, we need know only just enough of people."

By Malcolm Mackay | May 25, 2016

The Suicide Memoir: True Crime, Mystery, and Grief

The Suicide Memoir: True Crime, Mystery, and Grief

A Brief Look at a Dark Genre

By Candace Opper | May 20, 2016

Reading the Literary City

Reading the Literary City

How Urban Spaces Shape the Books We Read

By Tobias Carroll | May 20, 2016

Robin Wasserman: Respect the Power of the Teenage Girl

Robin Wasserman: Respect the Power of the Teenage Girl

On Making the Jump from YA to Adult

By Jason Diamond | May 19, 2016

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • Homeschooled: A Memoir
  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

The Wilds of Montana Might Be the Scariest Character of All

By Antonia Malchik | May 19, 2016

How to Write Deep in the Woods with a Dog By Your Side

By Lee Clay Johnson | May 16, 2016

Am I a Character in This Doris Lessing Novel?

By Jenny Diski | May 16, 2016

I Am Jessa Crispin’s Problem with Publishing

I Am Jessa Crispin’s Problem with Publishing

Bethanne Patrick on Careerism, Criticism, and a Life in Books

By Bethanne Patrick | May 13, 2016

How My Best Friend Willa Cather Helped Me Beat Stage Fright

How My Best Friend Willa Cather Helped Me Beat Stage Fright

On Breaking Into Giant Lecture Halls and Looking For Ghosts

By Micah Perks | May 13, 2016

Eight Writing Lessons from <em>Hamilton: The Revolution</em>

Eight Writing Lessons from Hamilton: The Revolution

The Companion Book to Hamilton Offers a Master Class in Craft

By Rob Hart | May 13, 2016

In Defense of Grown Men Crying

In Defense of Grown Men Crying

On Feeling Deeply & Writing as An Act of Exploration

By Lee Martin | May 12, 2016

How to Write a Book of Poems

How to Write a Book of Poems

"These Poems Would Not Exist Without Avocado or Sesame Sticks"

By Amanda Nadelberg | May 11, 2016

On the Future of the American Essay

On the Future of the American Essay

How Film and Poetry are Changing the Form—And Vice Versa

By Tobias Carroll | May 11, 2016

Why I Quit Being a Writer

Why I Quit Being a Writer

Jaime Clarke on Saying Goodbye to the Writing Life

By Jaime Clarke | May 11, 2016

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Page 252 of 261
    • Thinking Outside the Cop: Using Game Wardens in Crime FictionJanuary 13, 2026 by Sarah Crouch
    • Make Our Villains Gayer, Please: Reclaiming the Trope of Queer-Coded AntagonistsJanuary 13, 2026 by Isha Raya
    • Ross Montgomery on Researching Profanity, Halley's Comet, and Writing Historical FictionJanuary 13, 2026 by Alex Dueben
    • The Rest of Our Lives
    • The Best Reviewed Books of the Week
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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