How Writing a Novel Helped Me Uncover the Secrets<br> of My Family

How Writing a Novel Helped Me Uncover the Secrets
of My Family

Liese O'Halloran Schwarz on the Journey to Understand a
Crucial Childhood Memory

By Liese O'Halloran Schwarz | January 29, 2021

‘All of It Is Still the Poet Voice.’ Joy Harjo on Painting, Music, and Poetry

‘All of It Is Still the Poet Voice.’ Joy Harjo on Painting, Music, and Poetry

In Conversation with Paul Holdengräber on The Quarantine Tapes

By The Quarantine Tapes | January 28, 2021

What Gods? On Writing Spirituality<br> in Literary Fiction

What Gods? On Writing Spirituality
in Literary Fiction

Alexander Weinstein Explains the Importance of the Sacred in Storytelling

By Alexander Weinstein | January 28, 2021

Torrey Peters on Looking For Meaning in Your Mid-Thirties

Torrey Peters on Looking For Meaning in Your Mid-Thirties

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | January 28, 2021

‘But I Will Write Anyway.’ Teaching the Anti-Racist Writing Workshop

‘But I Will Write Anyway.’ Teaching the Anti-Racist Writing Workshop

Helen Betya Rubinstein in Conversation with Felicia Rose Chavez

By Helen Betya Rubinstein | January 28, 2021

In Defense of Writing Books That May Never Be Read

In Defense of Writing Books That May Never Be Read

Mark de Silva: “That language fails to capture experience is no cause for disappointment.”

By Mark de Silva | January 27, 2021

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • Homeschooled: A Memoir
  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

Embracing Imperfection: On Writing in a Second Language

By Kaori Fujimoto | January 27, 2021

Margo Jefferson: ‘If I Can’t Find a Way to Do That... Why Am I Writing a Memoir?’

By Thresholds | January 27, 2021

Te-Ping Chen on Finding Moments of Magical Realism in China

By Otherppl with Brad Listi | January 27, 2021

Joan Didion: Why I Write

Joan Didion: Why I Write

"I write entirely to find out what I’m thinking, what I’m looking at, what I see and what it means."

By Joan Didion | January 26, 2021

How Do We Write About Political Crisis and Personal Conflict?

How Do We Write About Political Crisis and Personal Conflict?

Carys Davies Outlines the Process of Writing Her Latest Novel

By Carys Davies | January 26, 2021

Mateo Askaripour on <em>Sorry to Bother You</em> and Giving Up the Scarcity Mindset

Mateo Askaripour on Sorry to Bother You and Giving Up the Scarcity Mindset

This Week on So Many Damn Books

By So Many Damn Books | January 26, 2021

What James Baldwin Taught Nikky Finney About the Poet’s Responsibility to the Living

What James Baldwin Taught Nikky Finney About the Poet’s Responsibility to the Living

In Conversation with Walter Mosley on The Quarantine Tapes

By The Quarantine Tapes | January 25, 2021

Writing a Saudi American Novel When No One Has Done It Before

Writing a Saudi American Novel When No One Has Done It Before

Eman Quotah on the Beginning of a Tradition

By Eman Quotah | January 25, 2021

Peter Ho Davies on Writing a Book That Hovers Between Fiction and Fact

Peter Ho Davies on Writing a Book That Hovers Between Fiction and Fact

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | January 25, 2021

Why Should We Read Unfinished Novels?

Why Should We Read Unfinished Novels?

Matthew Redmond on Fragments of Edgar Allan Poe, Jane Austen, Charles Dickens, and More

By Matthew Redmond | January 22, 2021

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