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“I Wanted to Be on Fire.” On the Connection Between Art and Self-Destruction

“I Wanted to Be on Fire.” On the Connection Between Art and Self-Destruction

Bridget Collins Considers the Hagiography of the Tortured Artist

By Bridget Collins | May 19, 2021

Courtney Zoffness on the One Characteristic That Writers Share

Courtney Zoffness on the One Characteristic That Writers Share

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | May 19, 2021

Would you let a random group of strangers on the Internet plot your next novel?

Would you let a random group of strangers on the Internet plot your next novel?

By Jonny Diamond | May 18, 2021

“All He Wanted From Us Was Truth.” Remembering Stephen Dixon

“All He Wanted From Us Was Truth.” Remembering Stephen Dixon

Courtney Zoffness on Finding Authenticity in a Great Writer and Professor

By Courtney Zoffness | May 18, 2021

The Agony and the Ecstasy of Publishing Your Work in a Literary Magazine

The Agony and the Ecstasy of Publishing Your Work in a Literary Magazine

Erica Jenks Henry on the Fruits of a Seemingly Sisyphean Endeavor

By Erica Jenks Henry | May 18, 2021

Writers, take heart: K-Pop superstars are just like you!

Writers, take heart: K-Pop superstars are just like you!

By Jonny Diamond | May 17, 2021

Best Reviewed
Books of the Week

  • They
  • This Is Not About Us
  • Eradication: A Fable
  • The Boundless Deep: Young Tennyson, Science and the Crisis of Belief
  • The Last Kings of Hollywood: Coppola, Lucas, Spielberg—And the Battle for the Soul of American Cinema
  • End of Days: Ruby Ridge, the Apocalypse, and the Unmaking of America

Symbiosis and Psychedelics: An Exploratory Conversation Between Edward St. Aubyn and Merlin Sheldrake

By Merlin Sheldrake and Edward St. Aubyn | May 17, 2021

Layla AlAmmar: Who Gets to Dictate How a Story Is Told?

By First Draft: A Dialogue on Writing | May 17, 2021

How We Wrote a Joint Memoir Without Sabotaging Our Relationship

By Meg Bashwiner and Joseph Fink | May 17, 2021

Why Are Creepy Children So Compelling?

Why Are Creepy Children So Compelling?

A. J. Gnuse on Our Misplaced Fear of the Gothic

By A. J. Gnuse | May 14, 2021

Olivia Laing on Writing the Global Story of Liberation

Olivia Laing on Writing the Global Story of Liberation

The Author of Everybody Discusses Power and Freedom

By Olivia Laing | May 14, 2021

Cambria Gordon on the Lost Art of Penmanship

Cambria Gordon on the Lost Art of Penmanship

In Conversation with Mitchell Kaplan on The Literary Life Podcast

By The Literary Life | May 14, 2021

When an Apparition of Virginia Woolf Interrupts Your Writing Process

When an Apparition of Virginia Woolf Interrupts Your Writing Process

Rachel Eisendrath: “She had taken hold of my manuscript. And she was looking down at it.”

By Rachel Eisendrath | May 13, 2021

Elissa Washuta on Composing the Three-Act Structure of Her Essay Collection

Elissa Washuta on Composing the Three-Act Structure of Her Essay Collection

This Week on the Reading Women Podcast

By Reading Women | May 13, 2021

Live at the Red Ink Series: How Desire Propels the Writing Life

Live at the Red Ink Series: How Desire Propels the Writing Life

Featuring Jo Ann Beard, Katherine Angel, Dantiel W. Moniz, and Jeannine Ouellette

By Literary Hub | May 13, 2021

Cynthia D’Aprix Sweeney on Starting All Over Again... And Again

Cynthia D’Aprix Sweeney on Starting All Over Again... And Again

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | May 13, 2021

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    • Valerie Wilson Wesley on the Harlem Renaissance and Writing Historical MysteriesFebruary 19, 2026 by Alex Dueben
    • The Best International Crime Fiction of February 2026February 19, 2026 by Molly Odintz
    • Baltimore, 1979: N Luv Wit a StripperFebruary 19, 2026 by Michael Gonzales
    • They
    • The Best Reviewed Books of the Week
    • "a succession of nine quietly horrifying stories from a dystopian pastorally radiant England The novella…"
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