Michelle Hart on Why You Shouldn’t Ignore Shame in Storytelling

Michelle Hart on Why You Shouldn’t Ignore Shame in Storytelling

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | May 12, 2022

Vauhini Vara on Grounding Fiction with Cultural Touchstones

Vauhini Vara on Grounding Fiction with Cultural Touchstones

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | May 5, 2022

“Hypocrisy is Us.” Chantal V. Johnson on Feminism and Misogynoir

“Hypocrisy is Us.” Chantal V. Johnson on Feminism and Misogynoir

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | April 28, 2022

Maeve Higgins Wants Us to Take Levity (and Language) More Seriously

Maeve Higgins Wants Us to Take Levity (and Language) More Seriously

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | April 21, 2022

Emily St. John Mandel on Finding a Sense of Creative Recklessness

Emily St. John Mandel on Finding a Sense of Creative Recklessness

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | April 14, 2022

Chloé Cooper Jones on Self-Erasure, Vulnerability, and Writing About Tennis as a Dodge

Chloé Cooper Jones on Self-Erasure, Vulnerability, and Writing About Tennis as a Dodge

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | April 7, 2022

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Maud Newton on the Relief of Knowing That Genes Aren’t Fate

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Alex Segura on the Truths of Noir Literature

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Alejandro Zambra on Writing Two Books in One

Alejandro Zambra on Writing Two Books in One

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Sarah Manguso on the Coldness and Quietness of New England Girlhood

Sarah Manguso on the Coldness and Quietness of New England Girlhood

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Bethany C. Morrow on the Self-Delusion of Privilege

Bethany C. Morrow on the Self-Delusion of Privilege

In Conversation with Maris Kreizman on The Maris Review Podcast

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Why Julia May Jonas Didn’t Name Her Main Character

Why Julia May Jonas Didn’t Name Her Main Character

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“A Tricky, Electric Topic.” Tessa Hadley on Writing Ambivalent Motherhood

“A Tricky, Electric Topic.” Tessa Hadley on Writing Ambivalent Motherhood

In Conversation with Maris Kreizman on The Maris Review Podcast

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Isaac Butler on Why No One Actually Understands Method Acting

Isaac Butler on Why No One Actually Understands Method Acting

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | February 3, 2022

John Darnielle on the Crisis of Conscience in True Crime

John Darnielle on the Crisis of Conscience in True Crime

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | January 27, 2022

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