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Michelle Hart on Why You Shouldn’t Ignore Shame in Storytelling

Michelle Hart on Why You Shouldn’t Ignore Shame in Storytelling

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | May 12, 2022

Vauhini Vara on Grounding Fiction with Cultural Touchstones

Vauhini Vara on Grounding Fiction with Cultural Touchstones

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | May 5, 2022

“Hypocrisy is Us.” Chantal V. Johnson on Feminism and Misogynoir

“Hypocrisy is Us.” Chantal V. Johnson on Feminism and Misogynoir

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | April 28, 2022

Maeve Higgins Wants Us to Take Levity (and Language) More Seriously

Maeve Higgins Wants Us to Take Levity (and Language) More Seriously

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | April 21, 2022

Emily St. John Mandel on Finding a Sense of Creative Recklessness

Emily St. John Mandel on Finding a Sense of Creative Recklessness

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | April 14, 2022

Chloé Cooper Jones on Self-Erasure, Vulnerability, and Writing About Tennis as a Dodge

Chloé Cooper Jones on Self-Erasure, Vulnerability, and Writing About Tennis as a Dodge

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | April 7, 2022

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

Maud Newton on the Relief of Knowing That Genes Aren’t Fate

By The Maris Review | March 31, 2022

Alex Segura on the Truths of Noir Literature

By The Maris Review | March 24, 2022

Liz Scheier on Comedy as a Survival Skill

By The Maris Review | March 17, 2022

Alejandro Zambra on Writing Two Books in One

Alejandro Zambra on Writing Two Books in One

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | March 10, 2022

Sarah Manguso on the Coldness and Quietness of New England Girlhood

Sarah Manguso on the Coldness and Quietness of New England Girlhood

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | March 3, 2022

Bethany C. Morrow on the Self-Delusion of Privilege

Bethany C. Morrow on the Self-Delusion of Privilege

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | February 24, 2022

Why Julia May Jonas Didn’t Name Her Main Character

Why Julia May Jonas Didn’t Name Her Main Character

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | February 17, 2022

“A Tricky, Electric Topic.” Tessa Hadley on Writing Ambivalent Motherhood

“A Tricky, Electric Topic.” Tessa Hadley on Writing Ambivalent Motherhood

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | February 10, 2022

Isaac Butler on Why No One Actually Understands Method Acting

Isaac Butler on Why No One Actually Understands Method Acting

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | February 3, 2022

John Darnielle on the Crisis of Conscience in True Crime

John Darnielle on the Crisis of Conscience in True Crime

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | January 27, 2022

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Page 5 of 12
    • New Series to Watch this WeekendJanuary 30, 2026 by Olivia Rutigliano
    • Ritual, Alternate Histories, and More: 8 Novels About Secret SocietiesJanuary 30, 2026 by Karen Winn
    • The Best Reviewed Books of the Month: January 2026January 30, 2026 by CrimeReads
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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