How the “Tiger Lady” Profoundly Changed Susan Orlean

How the “Tiger Lady” Profoundly Changed Susan Orlean

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | February 28, 2022

Charlotte Wood on Exploring the Longevity of Female Friendship

Charlotte Wood on Exploring the Longevity of Female Friendship

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | February 22, 2022

Anahid Nersessian’s Close Reading of Keats’s “Ode on a Grecian Urn”

Anahid Nersessian’s Close Reading of Keats’s “Ode on a Grecian Urn”

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | February 14, 2022

“Secrets Really Power a Book.” A Conversation with Steven Schwartz

“Secrets Really Power a Book.” A Conversation with Steven Schwartz

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | February 7, 2022

Peter Ho Davies on Why We Fear Revision (and How to Get Over It)

Peter Ho Davies on Why We Fear Revision (and How to Get Over It)

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | February 3, 2022

“A Kind of Clash.” Tom Bissell on the Structure of His Short Stories

“A Kind of Clash.” Tom Bissell on the Structure of His Short Stories

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | January 24, 2022

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Michael Bazzett on the Role of Comedy in His Poetry

By First Draft: A Dialogue on Writing | January 18, 2022

How Jean Hanff Korelitz Learned to Create Tension and Suspense on the Page

By First Draft: A Dialogue on Writing | January 10, 2022

Alice McDermott: Connection Is at the Heart of Why We Read and Write

By First Draft: A Dialogue on Writing | January 3, 2022

EJ Levy on the Complicated Life of James Miranda Barry

EJ Levy on the Complicated Life of James Miranda Barry

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | November 30, 2021

“Living in America Is Like Living in an In-Law’s House.” Nawaaz Ahmed on Writing a Queer, Immigrant Story

“Living in America Is Like Living in an In-Law’s House.” Nawaaz Ahmed on Writing a Queer, Immigrant Story

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | November 22, 2021

Kalani Pickhart on Writing the Complexities of the 2013 Ukrainian Protests

Kalani Pickhart on Writing the Complexities of the 2013 Ukrainian Protests

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | November 15, 2021

Rebecca Solnit on Pleasure, Flowers, and Orwell

Rebecca Solnit on Pleasure, Flowers, and Orwell

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | November 8, 2021

“Nobody’s Free Until Everbody’s Free.” Keisha N. Blain on Lou Hamer’s Work and Life

“Nobody’s Free Until Everbody’s Free.” Keisha N. Blain on Lou Hamer’s Work and Life

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | November 1, 2021

Lauren Groff on Maintaining the “Electric Jolt” of an Idea While Writing

Lauren Groff on Maintaining the “Electric Jolt” of an Idea While Writing

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | October 25, 2021

Richard Powers on the Duplicity of Bewilderment

Richard Powers on the Duplicity of Bewilderment

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | October 18, 2021

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