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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Features
Atossa Araxia Abrahamian Travels with the Stateless 'Cosmopolites'
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Benjamin Nugent on Writing About Male Privilege After #MeToo
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On the Upstart NYC Alt Weekly That Gave Us Armond White
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"Nobody"
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Victoria De Grazia: What Can We Learn from Mussolini's Italy?
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The Hard Art of Teaching Your Child Where You Come From
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The Strange and Remarkable Life of Robert Eisler
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How Climate Change Panic Fails to Fix the World
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William Deresiewicz: The Death of the Working Artist
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One Way to Write About a Millennial Protagonist? Don't Settle on a Single Form.
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Emma Jane Unsworth
| August 21, 2020
Dear
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Mary O'Connell
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13 Ways of Looking at Flash Fiction
Grant Faulkner on the Infinite Possibilities of Brevity
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Why Have We Failed to Protect Coal Miners?
Chris Hamby on One of America's Most Dangerous Jobs
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Chris Hamby
| August 21, 2020
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"Not much happens In fact there is much in the text that is not made…"