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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Features
“A House is Just a Pile of Stuff with a Cover on It.” When Less Really is More
Leidy Klotz on How Hard It Can Be to Truly Subtract From Our Lives
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We’ll Always Have the Best Day of Our Lives: Remembering Giancarlo DiTrapano
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Lauren Cerand
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Interview with an Indie Press: Seven Stories Press
On Trusting Readers to Handle Complex Projects
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Corinne Segal
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The Astrology Book Club: What to Read This Month, Based on Your Sign
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Excavating the Life of Marjorie Kinnan Rawlings, Author of an American Classic
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Luke Menand on George Orwell’s Vision of Freedom
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Excerpts from
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Keen On
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The Lady with the Gun Asks the Questions
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Rebecca Solnit: How Donald Trump Wanted the End of History
A Hundred Days Into the New Era, Looking Back on the Old
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Rebecca Solnit
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Looking for God in Teddy Ruxpin: Brandi Carlile on Faith and Music
The Singer-Songwriter Remembers the Existential Dread of an 80s Childhood
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Brandi Carlile
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One of the Most Important American Documents You’ve Never Heard Of
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What Creative Satisfaction Looks Like to Elissa Washuta
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This Halloween, what's scarier than the French?
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A Brief History of Bounty Hunting in American Art and Life
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The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"