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The Grief of Publishing a Book Without the Parent Who Inspired You

The Grief of Publishing a Book Without the Parent Who Inspired You

Monica Macansantos on the Words Her Father Awakened

By Monica Macansantos | October 24, 2022

Harold R. Johnson on How We Tell Our Own Stories

Harold R. Johnson on How We Tell Our Own Stories

“We are the stories we are told and we are the stories we tell ourselves.”

By Harold R. Johnson | October 24, 2022

Realizing History Through Fantasy Literature: Reclaiming Tolkien’s Hobbit For the Left

Realizing History Through Fantasy Literature: Reclaiming Tolkien’s Hobbit For the Left

Robert T. Tally Jr. in Conversation with Andrew Keen on Keen On

By Keen On | October 24, 2022

What Boeing’s 737 Max Tragedy Reveals About the Immorality of Late Stage Industrial Capitalism

What Boeing’s 737 Max Tragedy Reveals About the Immorality of Late Stage Industrial Capitalism

Peter Robison in Conversation with Andrew Keen on Keen On

By Keen On | October 24, 2022

<em>Hell and Back</em> by Craig Johnson, Read by George Guidall

Hell and Back by Craig Johnson, Read by George Guidall

Longmire is Lost, Remembering Nothing of His Past

By Behind the Mic | October 24, 2022

Listen to Chapters 7 and 8 of <em>Dracula</em>

Listen to Chapters 7 and 8 of Dracula

“No sleep now, so I may as well write.”

By Audiobook Break | October 24, 2022

Best Reviewed
Books of the Week

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  • I Can't Stop Thinking about Horses and Sex
  • Queen of Lombard Street
  • Paradise Burns
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  • Hanging and Burning: A King Oliver Novel
  • Our Arab: On Longing, Belonging, and Hope
  • The Turning of Sally-Mae

Mary Karr on Navigating Memory While Writing Memoir

By Mary Karr | October 21, 2022

Being American in the World We’ve Made: Ben Rhodes in Conversation with Ayad Akhtar

By Sun Valley Writers' Conference | October 21, 2022

On Disrupting a Cherished Musical Tradition and Creating New Appalachian Ballads

By Elizabeth Ford | October 21, 2022

<em>Decision to Leave</em> is a Stirring Hitchcockian Neo-Noir

Decision to Leave is a Stirring Hitchcockian Neo-Noir

Olivia Rutigliano on Park Chan-wook’s New Mystery

By Olivia Rutigliano | October 21, 2022

How General Motors CEO Mary Barra is the Anti Elon Musk

How General Motors CEO Mary Barra is the Anti Elon Musk

David Welch in Conversation with Andrew Keen on Keen On

By Keen On | October 21, 2022

The Me in the Screen: Steffan Triplett on Doppelgängers and Doubles, in Horror and Queer Life

The Me in the Screen: Steffan Triplett on Doppelgängers and Doubles, in Horror and Queer Life

“A queer person is used to keeping secrets, telling lies, sectioning off parts of themselves.”

By Steffan Triplett | October 21, 2022

What Should You Read Next? Here Are the Best Reviewed Books of the Week

What Should You Read Next? Here Are the Best Reviewed Books of the Week

Featuring new titles by George Saunders, Barbara Kingsolver, Paul Newman, and More

By Book Marks | October 21, 2022

Revisiting Kier-La Janisse’s <em>House of Psychotic Women</em>, Ten Years Later

Revisiting Kier-La Janisse’s House of Psychotic Women, Ten Years Later

“Every woman who enjoys horror films has at some point felt the need to explain herself.”

By Elizabeth Horkley | October 21, 2022

Reimagining Folklore and Fantasy: Nine Speculative Stories from Asia and the Asian Diaspora

Reimagining Folklore and Fantasy: Nine Speculative Stories from Asia and the Asian Diaspora

Jasmine Sawers Recommends Lucy Zhang, Sequoia Nagamatsu, Priyanka Bose, and More

By Jasmine Sawers | October 21, 2022

David Maraniss on the Afterlife of Jim Thorpe

David Maraniss on the Afterlife of Jim Thorpe

This Week on The Literary Life with Mitchell Kaplan

By The Literary Life | October 21, 2022

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    • Three Italian Heist Films You Need to SeeNovember 2, 2026 by Olivia Rutigliano
    • 10 New Books Coming Out This WeekNovember 2, 2026 by CrimeReads
    • A Roundtable Discussion on Genre Mashups and Shared WorldsNovember 2, 2026 by Richie Narvaez
    • Sleuth-Hound: The Case of the Real Sherlock Holmes
    • The Best Reviewed Books of the Week
    • "A vivid, sometimes grisly, sometimes enraging portrait of 19th-century British society ... Probing and excellent."
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