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Stuck in a Spaceship: On <em>The Expanse</em> and Redrawing the Lines of a Body

Stuck in a Spaceship: On The Expanse and Redrawing the Lines of a Body

Allison Wyss Considers Bodies in Space and Our Communal Body on Earth

By Allison Wyss | August 23, 2022

WATCH: Elizabeth Crane Talks to Leslie Jamison About Divorce, Transformation, and More

WATCH: Elizabeth Crane Talks to Leslie Jamison About Divorce, Transformation, and More

The Author of This Story Will Change in Conversation at Greenlight Bookstore

By The Virtual Book Channel | August 23, 2022

Reading Proust in a Black and White World

Reading Proust in a Black and White World

On María Alvarez’s New Documentary, Le Temps Perdu

By Catherine Nichols | August 23, 2022

Forget Politics: Why a Novelist’s First Priority Is To Tell a Good Story

Forget Politics: Why a Novelist’s First Priority Is To Tell a Good Story

Jean Hanff Korelitz in Conversation with Andrew Keen on Keen On

By Keen On | August 23, 2022

A Brief Political—and Personal—History of Gay Bathhouses

A Brief Political—and Personal—History of Gay Bathhouses

Rasheed Newson on Sexually Accommodating Spaces as Community Hubs, and the Moral Panics That Destroyed Them

By Rasheed Newson | August 23, 2022

Shane Kowalski on Creating the Comedic Pivots in His Work

Shane Kowalski on Creating the Comedic Pivots in His Work

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But

By I'm a Writer But | August 23, 2022

Best Reviewed
Books of the Week

Whose Lives Can We Plunder? Or: How to Base a Character on Yourself

By Jincy Willett | August 23, 2022

Emotional Expression Is as Scary and Important as You Think It Is

By Memoir Nation | August 23, 2022

Tom Scharpling on Legacy, Being Forgotten, and His Latest Paperback Release

By So Many Damn Books | August 23, 2022

<em>Heartbreaker </em>by Sarah MacLean, Read by Mary Jane Wells

Heartbreaker by Sarah MacLean, Read by Mary Jane Wells

An Adventurous Historical Romance

By Behind the Mic | August 23, 2022

Marguerite Duras on Writing the Screenplay for Alain Resnais’s <em>Hiroshima Mon Amour</em>

Marguerite Duras on Writing the Screenplay for Alain Resnais’s Hiroshima Mon Amour

“We’re afraid. But ultimately, isn’t that necessary from time to time? Especially in film?”

By Marguerite Duras | August 22, 2022

What Five Years with a Predatory Vanity Press Taught Me About Art and Success

What Five Years with a Predatory Vanity Press Taught Me About Art and Success

Alexa T. Dodd on a Book Deal That Seemed Too Good to Be True

By Alexa T. Dodd | August 22, 2022

Mike Rothschild on the Ongoing Influence of QAnon and Its Self-Made Mythologies

Mike Rothschild on the Ongoing Influence of QAnon and Its Self-Made Mythologies

“Conspiracy theories will always be popular, because they make you feel like you’re smart, important, and part of a community.”

By Mike Rothschild | August 22, 2022

Eileen Myles Remembers Bobby Byrd

Eileen Myles Remembers Bobby Byrd

“His world was huge and specific.”

By Eileen Myles | August 22, 2022

Kristine Langley Mahler on How Online Rabbit Holes Fuel Creativity

Kristine Langley Mahler on How Online Rabbit Holes Fuel Creativity

“The looking is the creeper behavior, but the processing of those digital finds can become the nonfiction writer’s justification.”

By Kristine Langley Mahler | August 22, 2022

How the French Revolution and the January 6 American Insurrection Are Bookends in the Struggle for Democracy

How the French Revolution and the January 6 American Insurrection Are Bookends in the Struggle for Democracy

Laura Mason in Conversation with Andrew Keen

By Keen On | August 22, 2022

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