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The Latest
Heartbreaker
by Sarah MacLean, Read by Mary Jane Wells
An Adventurous Historical Romance
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Behind the Mic
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Marguerite Duras on Writing the Screenplay for Alain Resnais’s
Hiroshima Mon Amour
“We’re afraid. But ultimately, isn’t that necessary from time to time? Especially in film?”
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Marguerite Duras
| August 22, 2022
What Five Years with a Predatory Vanity Press Taught Me About Art and Success
Alexa T. Dodd on a Book Deal That Seemed Too Good to Be True
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Alexa T. Dodd
| August 22, 2022
Mike Rothschild on the Ongoing Influence of QAnon and Its Self-Made Mythologies
“Conspiracy theories will always be popular, because they make you feel like you’re smart, important, and part of a community.”
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Mike Rothschild
| August 22, 2022
Eileen Myles Remembers Bobby Byrd
“His world was huge and specific.”
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Eileen Myles
| August 22, 2022
Kristine Langley Mahler on How Online Rabbit Holes Fuel Creativity
“The looking is the creeper behavior, but the processing of those digital finds can become the nonfiction writer’s justification.”
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How an Unlucky Texas Fisherman Stumbled Upon an Environmental Catastrophe
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Monotomy and Greed, as Revealed By Andri Snær Magnason’s Latest Short Story
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The End of Bias: How to Create a More Just (and Prosperous) World
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History of Literature
| August 22, 2022
The Daughter of Doctor Moreau
by Silvia Moreno-Garcia, Read by Gisela Chìpe
A Brilliant Retelling of a Classic
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Trump, Crypto, QAnon, and Other Things That Won’t Exist in 2042
In Which Andrew Keen Attempts to Look Into the Future
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Andrew Keen
| August 19, 2022
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