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Builders and Destroyers: The Eleven Men (and One Woman) Who Authored 20th-Century Europe

Builders and Destroyers: The Eleven Men (and One Woman) Who Authored 20th-Century Europe

Ian Kershaw in Conversation with Andrew Keen on Keen On

By Keen On | November 10, 2022

Two Poems by Du Fu

Two Poems by Du Fu

From the Translated Collection In the Same Light

By Du Fu | November 10, 2022

On Self-Reflection, Stories, and and What Mirrors Really Tell Us

On Self-Reflection, Stories, and and What Mirrors Really Tell Us

“The narrative of your present is crafted by the past.”

By Sarah Fawn Montgomery | November 10, 2022

<em>Alive at the End of the World</em> by Saeed Jones, Read by Saeed Jones

Alive at the End of the World by Saeed Jones, Read by Saeed Jones

An Unforgettable Poetry Collection

By Behind the Mic | November 10, 2022

How to Write a Novel with Three of Your Friends

How to Write a Novel with Three of Your Friends

The Writers Behind S.E. Boyd on the High Stakes of Cooperative Fiction Writing

By Kevin Alexander, Joe Keohane, and Alessandra Lusardi | November 9, 2022

The Art of Adaptation: Camille DeAngelis and David Kajganich on Taking <em>Bones and All</em> from Page to Screen

The Art of Adaptation: Camille DeAngelis and David Kajganich on Taking Bones and All from Page to Screen

In Conversation at the Inaugural Refocus Film Festival

By Literary Hub | November 9, 2022

Best Reviewed
Books of the Week

Diary of a Pilgrimage: Marking the Gravesite of Assia and Shura Wevill

By Emily Van Duyne | November 9, 2022

“Let That Dream Die.“ On Watching Tennis and (Actually) Becoming the Best Writer You Can Be

By Veronica Roth | November 9, 2022

Lynn Steger Strong: “Oh, Shit. I Wrote a Domestic Novel. I’m a Woman. What Did I Do?”

By Otherppl with Brad Listi | November 9, 2022

Alia Trabucco Zerán on Writing About Women Who Kill

Alia Trabucco Zerán on Writing About Women Who Kill

“Their crimes are a privileged window from which to observe how the very meaning of womanhood has changed over time.”

By Alia Trabucco Zerán | November 9, 2022

Hugh Bonneville on His Illustrious <em>Downton Abbey</em> Castmate, Maggie Smith

Hugh Bonneville on His Illustrious Downton Abbey Castmate, Maggie Smith

“We all knew Highclere Castle was the lead character. And we all knew that Maggie Smith ran a pretty close second.”

By Hugh Bonneville | November 9, 2022

What Japan Can Teach Urban Americans About Regenerating Rural Values and Practices

What Japan Can Teach Urban Americans About Regenerating Rural Values and Practices

Richard McCarthy in Conversation with Andrew Keen on Keen On

By Keen On | November 9, 2022

Our Man in Tokyo: Could Pearl Harbor Have Been Avoided With More Skillful American Diplomacy?

Our Man in Tokyo: Could Pearl Harbor Have Been Avoided With More Skillful American Diplomacy?

Steve Kemper in Conversation with Andrew Keen on Keen On

By Keen On | November 9, 2022

Why “Writing” Has Nothing to Do With Being a “Writer”

Why “Writing” Has Nothing to Do With Being a “Writer”

Eduardo Halfon in Conversation with Andrew Keen on Keen On

By Keen On | November 9, 2022

A Poem by Jennifer S. Cheng

A Poem by Jennifer S. Cheng

From “Biography of Women in the Sea”

By Jennifer S. Cheng | November 9, 2022

How the 2012 Murder of a Mexican Journalist Should Be a Warning About Press Freedoms in America

How the 2012 Murder of a Mexican Journalist Should Be a Warning About Press Freedoms in America

Katherine Corcoran in Conversation with Andrew Keen on Keen On

By Keen On | November 9, 2022

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