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The Art of Adaptation: Camille DeAngelis and David Kajganich on Taking <em>Bones and All</em> from Page to Screen

The Art of Adaptation: Camille DeAngelis and David Kajganich on Taking Bones and All from Page to Screen

In Conversation at the Inaugural Refocus Film Festival

By Literary Hub | November 9, 2022

Diary of a Pilgrimage: Marking the Gravesite of Assia and Shura Wevill

Diary of a Pilgrimage: Marking the Gravesite of Assia and Shura Wevill

Emily Van Duyne’s Tribute to a “Lover of Unreason and an Exile”

By Emily Van Duyne | November 9, 2022

“Let That Dream Die.“ On Watching Tennis and (Actually) Becoming the Best Writer You Can Be

“Let That Dream Die.“ On Watching Tennis and (Actually) Becoming the Best Writer You Can Be

Veronica Roth’s Argument for Embracing the Unknown

By Veronica Roth | November 9, 2022

Lynn Steger Strong: “Oh, Shit. I Wrote a Domestic Novel. I’m a Woman. What Did I Do?”

Lynn Steger Strong: “Oh, Shit. I Wrote a Domestic Novel. I’m a Woman. What Did I Do?”

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | November 9, 2022

Alia Trabucco Zerán on Writing About Women Who Kill

Alia Trabucco Zerán on Writing About Women Who Kill

“Their crimes are a privileged window from which to observe how the very meaning of womanhood has changed over time.”

By Alia Trabucco Zerán | November 9, 2022

Hugh Bonneville on His Illustrious <em>Downton Abbey</em> Castmate, Maggie Smith

Hugh Bonneville on His Illustrious Downton Abbey Castmate, Maggie Smith

“We all knew Highclere Castle was the lead character. And we all knew that Maggie Smith ran a pretty close second.”

By Hugh Bonneville | November 9, 2022

Best Reviewed
Books of the Week

What Japan Can Teach Urban Americans About Regenerating Rural Values and Practices

By Keen On | November 9, 2022

Our Man in Tokyo: Could Pearl Harbor Have Been Avoided With More Skillful American Diplomacy?

By Keen On | November 9, 2022

Why “Writing” Has Nothing to Do With Being a “Writer”

By Keen On | November 9, 2022

A Poem by Jennifer S. Cheng

A Poem by Jennifer S. Cheng

From “Biography of Women in the Sea”

By Jennifer S. Cheng | November 9, 2022

How the 2012 Murder of a Mexican Journalist Should Be a Warning About Press Freedoms in America

How the 2012 Murder of a Mexican Journalist Should Be a Warning About Press Freedoms in America

Katherine Corcoran in Conversation with Andrew Keen on Keen On

By Keen On | November 9, 2022

Ben Aitken Reads from His New Memoir <em>The Marmalade Diaries</em>

Ben Aitken Reads from His New Memoir The Marmalade Diaries

From Damian Barr’s Literary Salon Podcast

By Damian Barr's Literary Salon | November 9, 2022

Listen to Chapters 21 and 22 of <em>Dracula</em>

Listen to Chapters 21 and 22 of Dracula

“His eyes flamed red with devilish passion.”

By Audiobook Break | November 9, 2022

<em>Nona the Ninth </em>by Tamsyn Muir, Read by Moira Quirk

Nona the Ninth by Tamsyn Muir, Read by Moira Quirk

The Next Enthralling Chapter in the Locked Tomb Series

By Behind the Mic | November 9, 2022

Reading Through the Midterms: Finding Bipartisanship with Books on the Front Lines of Democracy

Reading Through the Midterms: Finding Bipartisanship with Books on the Front Lines of Democracy

Kristopher Jansma on Working the Polls and Making Friends

By Kristopher Jansma | November 8, 2022

Reading the Power Dynamics of Gender in Ovid’s <em>Metamorphoses</em>

Reading the Power Dynamics of Gender in Ovid’s Metamorphoses

Stephanie McCarter on Finding New Meaning in a Classic

By Stephanie McCarter | November 8, 2022

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