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What Does the Plight of Boston’s Black Workers in the Civil War Era Tell Us About Contemporary American Struggles?

What Does the Plight of Boston’s Black Workers in the Civil War Era Tell Us About Contemporary American Struggles?

Jacqueline Jones in Conversation with Andrew Keen on Keen On

By Keen On | January 10, 2023

Christine Sneed on Leaning Into the Absurdity of Office Life

Christine Sneed on Leaning Into the Absurdity of Office Life

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | January 10, 2023

Can a 21st-Century Adaptation of Dale Carnegie’s 20th-Century Ideology Can Help Us Fix Our Future?

Can a 21st-Century Adaptation of Dale Carnegie’s 20th-Century Ideology Can Help Us Fix Our Future?

Joe Hart in Conversation with Andrew Keen on Keen On

By Keen On | January 10, 2023

“What I Said on My Private Island Was Taken Out of Context!” On Celebrity Apologies

“What I Said on My Private Island Was Taken Out of Context!” On Celebrity Apologies

Marjorie Ingall and Susan McCarthy on Why Bad Celebrity Apologies Are Enraging yet Often Fun

By Marjorie Ingall and Susan McCarthy | January 10, 2023

George Saunders on His First Love: Songwriting

George Saunders on His First Love: Songwriting

Mike Errico Talks to the Writer About His Alternative Life as an Almost Professional Musician

By Mike Errico | January 9, 2023

Unguilty Pleasures: My Year of Reading Romance Novels

Unguilty Pleasures: My Year of Reading Romance Novels

Katie Fustich on Finding New Possibilities in a Misunderstood Genre

By Katie Fustich | January 9, 2023

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That’s Not Typing, It’s Writing: How T. S. Eliot Wrote “The Waste Land”

By Matthew Hollis | January 9, 2023

Who Is the “Noted Writer” Buried in Sleepy Hollow Cemetery?

By Nicky Beer | January 9, 2023

Shelf Talkers: What the Booksellers Are Reading at Point Reyes Books

By Literary Hub | January 9, 2023

Peter Cole on Making the Poetic Abstract Concrete

Peter Cole on Making the Poetic Abstract Concrete

The Poet on His New Collection Draw Me After

By Literary Hub | January 9, 2023

“The Best Story I’ve Ever Written is the One I’m Going to Write Next.” Jack Driscoll on His Stylistic Expansion

“The Best Story I’ve Ever Written is the One I’m Going to Write Next.” Jack Driscoll on His Stylistic Expansion

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | January 9, 2023

Living in an Unfolding Apocalyptic Reality with Emmanuel Vaughan-Lee, <em>Emergence Magazine</em> Founder

Living in an Unfolding Apocalyptic Reality with Emmanuel Vaughan-Lee, Emergence Magazine Founder

This Week from the Emergence Magazine Podcast

By Emergence Magazine | January 9, 2023

Nothing is Real: Craig Brown on the Slippery Art of Biography

Nothing is Real: Craig Brown on the Slippery Art of Biography

“Biography as a form is necessarily artificial. In the end, all biography is a form of fiction.”

By Craig Brown | January 8, 2023

In <em>Women Talking</em>, Acts of Imagination Are Acts of Resistance

In Women Talking, Acts of Imagination Are Acts of Resistance

Michelle Nijhuis Considers Sarah Polley’s New Film Adaptation of Miriam Toews’s Novel

By Michelle Nijhuis | January 6, 2023

The Original <em>Pinocchio</em> Is a Radical Anti-Work Story

The Original Pinocchio Is a Radical Anti-Work Story

Alessandro Delfanti on Late-19th-Century Italy and the Strings That Pull Us

By Alessandro Delfanti | January 6, 2023

The Sanctity of a Journal: On Private Writing in the Age of Public Content

The Sanctity of a Journal: On Private Writing in the Age of Public Content

“What stories do we owe each other—ourselves?”

By Rachel Schwartzmann | January 6, 2023

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