Love Stories, Feminism, and Why Cemeteries Are Sexy

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Jessica Ferri on Ann Rower’s Lee and Elaine

By Jessica Ferri | March 17, 2026

What Playing Basketball Taught Me About the Creative Process

What Playing Basketball Taught Me About the Creative Process

Ben Markovits on the Lessons He Learned About Writing From Sports

By Ben Markovits | March 17, 2026

What Wayne Koestenbaum Learned From <em>Gilligan’s Island</em> (And Why He Will Never Finish Reading Marx’s <em>Capital</em>)

What Wayne Koestenbaum Learned From Gilligan’s Island (And Why He Will Never Finish Reading Marx’s Capital)

The Author of My Lover, the Rabbi Takes the Lit Hub Questionnaire

By Wayne Koestenbaum | March 17, 2026

“Eatonville, Florida.” A Poem by Joshua Bennett

“Eatonville, Florida.” A Poem by Joshua Bennett

From the Collection We (the People of the United States)

By Joshua Bennett | March 17, 2026

Beyond “Women’s Fiction...” On the Quiet Brilliance of Barbara Pym

Beyond “Women’s Fiction...” On the Quiet Brilliance of Barbara Pym

Kerry Clare In Praise of Writing Stories Attuned to the Details of Everyday Life

By Kerry Clare | March 16, 2026

Crying in the Multiverse: On the Potential of Possibility as a Literary Device

Crying in the Multiverse: On the Potential of Possibility as a Literary Device

Genevieve DeGuzman Channels Grief and Loss Into Imagining Other Worlds

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Andrew Martin on How to Manage Exposition

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Katherine J. Chen Explores the Creative Upsides of Online Dating

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Am I the Asshole For Trying to Pitch Editors and Agents at Crowded AWP Parties?

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In Which Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

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What <em>Night of the Living Dead</em> Taught Me About Filmmaking—and Life

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Daniel Kraus on Horror, Improvisation and the Power of Creative Passion

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Benjamin Franklin Was One of Many Early Americans Who Spread Genocidal Propaganda About Indigenous Nations

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Paul C. Rosier on Racial Conflict in the Early Republic

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Johnette Napolitano on a Companion For Her Beloved Horse, True

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