Literary Hub » Literary Criticism

16 hotly-anticipated new books coming out this week.

16 hotly-anticipated new books coming out this week.

By Katie Yee | April 5, 2022

What Can We Learn From the “Life” of the Little Prince?

What Can We Learn From the “Life” of the Little Prince?

Stéphane Garnier on Inner Truth and Lessons From the “Philosopher’s Stone”

By Stéphane Garnier | April 5, 2022

Kaitlyn Greenidge on Toni Morrison, Karen Tei Yamashita, Melissa Broder, and More

Kaitlyn Greenidge on Toni Morrison, Karen Tei Yamashita, Melissa Broder, and More

Rapid-fire Book Recs from the Author of Libertie

By Book Marks | April 5, 2022

Defying Classification: An Introduction to Southeast Asian Speculative Fiction

Defying Classification: An Introduction to Southeast Asian Speculative Fiction

Victor Fernando R. Ocampo Recommends the Best of a Growing Genre

By Victor Fernando R. Ocampo | April 4, 2022

The 1990s: A Surreal (and Sociopathic?) Era in America

The 1990s: A Surreal (and Sociopathic?) Era in America

Candice Wuehle on Books That Remember (and Resist) a Weird Moment in This Country

By Candice Wuehle | April 4, 2022

Douglas Stuart on Masculinity and the Long Literary Tradition of the Gang Novel

Douglas Stuart on Masculinity and the Long Literary Tradition of the Gang Novel

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | April 4, 2022

Best Reviewed
Books of the Week

Announcing the Winners of the 2022 O. Henry Prize for Short Fiction

By Literary Hub | April 4, 2022

What Literary Techniques Did Sigmund Freud Employ?

By History of Literature | April 4, 2022

Patti Callahan on Graham Greene, Mary Kay Andrews, and Women Who Run With Wolves

By Book Marks | April 4, 2022

The Literary Film and TV You Need to Stream in April

The Literary Film and TV You Need to Stream in April

It's a Gritty Month on the Small Screen

By Eliza Smith | April 1, 2022

Why Do We Have to Feel Good? On Michael Schur’s Cloying Moral Universe

Why Do We Have to Feel Good? On Michael Schur’s Cloying Moral Universe

Ariella Garmaise Considers the Instagram Infographic Approach to Ethics

By Ariella Garmaise | April 1, 2022

Language is the True Protagonist of <em>My Brilliant Friend</em>’s Third Season

Language is the True Protagonist of My Brilliant Friend’s Third Season

Maria Albano on the “Poetry of Plain Language” in Luchetti's Adaptation

By Maria Albano | April 1, 2022

How Langston Hughes Has Influenced Generations of South African Writers

How Langston Hughes Has Influenced Generations of South African Writers

C.A. Davids on the Elusive Poet’s Connection to African Literature, Past and Present

By C. A. Davids | April 1, 2022

How Writing a Serialized Novel Helped Carley Moore Connect With the World During a Time of Disconnection

How Writing a Serialized Novel Helped Carley Moore Connect With the World During a Time of Disconnection

“In an environment that felt unstructured and constantly in flux serialization allowed me to be flexible.”

By Carley Moore | April 1, 2022

On Letting Children Come Up with Their Own Bedtime Stories

On Letting Children Come Up with Their Own Bedtime Stories

Joel Agee Has Learned to Follow the Lead of the Little Ones

By Joel Agee | April 1, 2022

Danielle Rose on the Voyeuristic Nature of Epistolary Writing

Danielle Rose on the Voyeuristic Nature of Epistolary Writing

In Conversation with Kirsten Reneau for the Micro Podcast

By Micro Podcast | April 1, 2022

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