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Kanako Nishi on Writing Gender, Power, and the Pain of Others

Kanako Nishi on Writing Gender, Power, and the Pain of Others

"I believe that lines should be capable of changing shape in many ways."

By Allison Markin Powell | May 8, 2019

Rebecca Solnit on Setting <em>Cinderella</em> Free for Contemporary Readers

Rebecca Solnit on Setting Cinderella Free for Contemporary Readers

A Classic Fairytale Rebuilt as a Working Class Liberation Story

By Rebecca Solnit | May 7, 2019

On Elizabeth Bishop, Loss, and Coming Out After 20 Years in a Convent

On Elizabeth Bishop, Loss, and Coming Out After 20 Years in a Convent

Patricia Dwyer Revisits the Spaces She Has Lost

By Patricia M. Dwyer | May 7, 2019

Reading the Selfie-Filled Memoir of Halldór Laxness

Reading the Selfie-Filled Memoir of Halldór Laxness

What's Not to Love About Descriptions of Food and Strong Opinions About Poets?

By Gerður Kristný | May 7, 2019

On the Beauty of Defeat and the Future of Europe

On the Beauty of Defeat and the Future of Europe

Laurent Gaudé in Conversation with Aysegul Sert

By Aysegul Sert | May 7, 2019

Binnie Kirshenbaum, Ryan Chapman, and More Take the Lit Hub Questionnaire

Binnie Kirshenbaum, Ryan Chapman, and More Take the Lit Hub Questionnaire

5 Writers, 7 Questions, No Wrong Answers

By Teddy Wayne | May 7, 2019

Best Reviewed
Books of the Week

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  • The Life You Want
  • The News from Dublin: Stories
  • Kutchinsky's Egg: A Family's Story of Obsession, Love, and Loss
  • Metropolitans: New York Baseball, Class Struggle, and the People's Team
  • A Good Person

What Is an Australian National Literature and Who Creates It?

By Nam Le | May 6, 2019

Taking an Author's Photo Is Like Going on a First Date

By Nina Subin | May 6, 2019

The New Toolkit For Opening Up Your Memoir Writing

By Eve Makis | May 6, 2019

On the Modern American Obsession with French Revolution Narratives

On the Modern American Obsession with French Revolution Narratives

Because Guillotines and Eating the Rich Never Really Go Out of Style

By Tobias Carroll | May 3, 2019

Anjelica Huston on Finding Her Father in the Writing of Lillian Ross

Anjelica Huston on Finding Her Father in the Writing of Lillian Ross

the integrity of her subject."">"She maintains her own integrity and she respects
the integrity of her subject."

By Anjelica Huston | May 3, 2019

On <em>Not</em> Writing About My Father, an Actual Mad Scientist

On Not Writing About My Father, an Actual Mad Scientist

Erika Swyler on the Autobiographical Truths of Fiction

By Erika Swyler | May 3, 2019

<em>Finnegan's Wake</em> at 80: <br>In Defense of the Difficult

Finnegan's Wake at 80:
In Defense of the Difficult

On the Pleasure of Annotating One of Literature's
Most Challenging Works

By Susie Lopez | May 3, 2019

Poetry, Like Witchcraft and Magick, is an Act of Transformation

Poetry, Like Witchcraft and Magick, is an Act of Transformation

in a very literal sense."">"When I say my poems worked as spells, I mean it
in a very literal sense."

By Janaka Stucky | May 3, 2019

Miriam Toews on What Forgiveness Means in the #MeToo Era

Miriam Toews on What Forgiveness Means in the #MeToo Era

The Author of Women Talking in Conversation with Hannah Lillith Assadi

By Hannah Lillith Assadi | May 2, 2019

Dear Reader: Eileen Myles on Kathy Acker

Dear Reader: Eileen Myles on Kathy Acker

On the Novel Great Expectations

By Eileen Myles | May 2, 2019

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