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Craft and Criticism
The Unreality of Coming of Age
Waking Dreams in
Conversations with Friends
and
The Answers
By
Clare Sestanovich
| August 21, 2017
How Far Can Fascist Satire Go?
On the Troubling, Compelling Work of Curzio Malaparte
By
Tobias Carroll
| August 21, 2017
The Reluctant Spiritual Autobiographer
Adrian Shirk Didn't Know What Kind of Book She Was Writing Until She Was Half-Way Through
By
Adrian Shirk
| August 21, 2017
I Made a Mistake in My Book and the Internet Went Nuts
Rebecca Schuman on Trying to Be an Expert and a Woman at the Same Time
By
Rebecca Schuman
| August 21, 2017
Are We Different Writers When We Move From Longhand to a Screen?
A Brief History of Panic in the Face of New Writing Technology
By
James Draney
| August 18, 2017
Pursuing the Artfully Naked "I": The Myth-Making of Kathy Acker
Seeking the Iconic Status of Great Writer as Countercultural Hero
By
Chris Kraus
| August 18, 2017
Best Reviewed
Books of the Week
Getting It Right: How to Rebuild Scenes from the Past
By
Benjamin Rachlin
| August 18, 2017
Air Travel: From Majesty to Drudgery in 100 Years
By
Ellie Robins
| August 18, 2017
Jill Bialosky: The Time I Moved to New York City to Be a Poet
By
Jill Bialosky
| August 17, 2017
Scott McClanahan: "Most Fiction Feels Like a Bunch of Dumb Stories"
The Author of
The Sarah Book
in Conversation with April Ayers Lawson
By
April Ayers Lawson
| August 17, 2017
Hannah Tinti on Learning to Shoot a Gun for Literature
And the Artist's Job to Create Empathy
By
Emily Temple
| August 17, 2017
What Poetry Can Teach Us About Power
Political Poems Use Language in a Way Distinct from Rhetoric
By
Matthew Zapruder
| August 16, 2017
Fact, Fiction, and When a Novel Crosses the Line
Joanna Scott on the Illusive Boundaries of Truth and Literature
By
Joanna Scott
| August 15, 2017
What Does it Mean When We Call a Key a "Slave"?
On the Power and Responsibility of Metaphor
By
Peggy Shinner
| August 14, 2017
How to Write This Year’s “Definitive Novel” of the East Village in the 1980s
Jarett Kobek Gives Away His Professional Secrets
By
Jarett Kobek
| August 14, 2017
Katie Kitamura on Subverting Tropes in
A Separation
Because All Books Have Dead Women and Tidy Endings
By
Emily Temple
| August 14, 2017
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Valerie Wilson Wesley on the Harlem Renaissance and Writing Historical Mysteries
February 19, 2026
by
Alex Dueben
The Best International Crime Fiction of February 2026
February 19, 2026
by
Molly Odintz
Baltimore, 1979: N Luv Wit a Stripper
February 19, 2026
by
Michael Gonzales
The Best Reviewed Books of the Week
"a succession of nine quietly horrifying stories from a dystopian pastorally radiant England The novella…"