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Naima Coster on Following Narrative Threads Rather Than Chronology

Naima Coster on Following Narrative Threads Rather Than Chronology

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | March 11, 2021

Finding Creativity in the Wintertime Rhythms of a Bordeaux Vineyard

Finding Creativity in the Wintertime Rhythms of a Bordeaux Vineyard

Mari Andrew on a Restorative Trip to France

By Mari Andrew | March 11, 2021

The Fires of Digression: Gregory Brown on the Slow Burn of Writing Fiction

The Fires of Digression: Gregory Brown on the Slow Burn of Writing Fiction

"It’s okay to wander. It’s okay to be lost. It’s okay to go slow."

By Gregory Brown | March 11, 2021

This Year’s NBCC Award Finalists: <em>The Shore</em> by Chris Nealon

This Year’s NBCC Award Finalists: The Shore by Chris Nealon

Jacob M. Appel on One of the Finalists for Poetry

By Jacob M. Appel | March 11, 2021

I can’t stop thinking about this bizarre forgotten chapter from <em>The Godfather.</em>

I can’t stop thinking about this bizarre forgotten chapter from The Godfather.

By Raf Richardson-Carillo | March 10, 2021

Nineteen Ways of Looking at <br>Marilynne Robinson

Nineteen Ways of Looking at
Marilynne Robinson

Kevin Brockmeier on the Literary Prowess (and Workshop Advice) of an American Icon

By Kevin Brockmeier | March 10, 2021

Best Reviewed
Books of the Week

When Philip Roth Switched Publishers, Drama Ensued

By Ira Nadel | March 10, 2021

Lauren Groff on the Subtle, Poetic Voice of Shirley Hazzard

By Lauren Groff | March 10, 2021

How I (Barely) Survived the Abject Failure of My Much Hyped Debut Novel

By David Hollander | March 10, 2021

Reckoning with Sentiment (and Writing the Unsaid) in a Novel About Motherhood

Reckoning with Sentiment (and Writing the Unsaid) in a Novel About Motherhood

Lynn Steger Strong in Conversation with Jessica Winter

By Lynn Steger Strong | March 10, 2021

Merve Emre on the Mind-Body Experience of Transcribing <em>Mrs Dalloway</em>

Merve Emre on the Mind-Body Experience of Transcribing Mrs Dalloway

In Conversation with Paul Holdengräber on
The Quarantine Tapes

By The Quarantine Tapes | March 10, 2021

How Being the Opposite of an Art Monster Has Helped Lynn Steger Strong’s Work

How Being the Opposite of an Art Monster Has Helped Lynn Steger Strong’s Work

From the Thresholds Podcast, Hosted by Jordan Kisner

By Thresholds | March 10, 2021

Patricia Engel on Writing the Shifting Identities of<br> Diaspora Life

Patricia Engel on Writing the Shifting Identities of
Diaspora Life

Jane Ciabattari Talks to the Author of Infinite Country

By Jane Ciabattari | March 10, 2021

Dantiel W. Moniz on Endings as Windows Rather than Exits

Dantiel W. Moniz on Endings as Windows Rather than Exits

In Conversation with Courtney Balestier on the WMFA Podcast

By WMFA | March 10, 2021

Vesna Maric on the Freedom of Working Outside Historical Fiction’s Rules

Vesna Maric on the Freedom of Working Outside Historical Fiction’s Rules

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | March 10, 2021

This Year’s NBCC Award Finalists: <em>How to Pronounce Knife</em> by Souvankham Thammavongsa

This Year’s NBCC Award Finalists: How to Pronounce Knife by Souvankham Thammavongsa

David Varno on One of the Finalists for Fiction

By David Varno | March 10, 2021

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