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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Criticism
What Collecting 100 Rejections Taught Me About Creative Failure
The Accidental Rejection Expert Revisits Her Viral Essay
By
Kim Liao
| February 6, 2019
Is Line Editing a Lost Art?
"A great teacher is a gift. A great line editor is a miracle."
By
Nick Ripatrazone
| February 6, 2019
Talking Shop With Elizabeth McCracken
"I use the Selectric to write sentences, never paragraphs."
By
Elizabeth McCracken
| February 6, 2019
All About Love: Talking Romance Novels with Bree Hill
Reading Women
with Sachi Argabright and Kendra Winchester
By
Reading Women
| February 6, 2019
Esmé Weijun Wang on Karaoke, Work Ethic, and Returning to Fiction
The Author of
The Collected Schizophrenias
in Conversation with R.O. Kwon
By
R.O. Kwon
| February 6, 2019
Duke Haney on Gentrification, Golden Age Films, and Jim Morrison
In Conversation with Brad Listi on
Otherppl
By
Otherppl with Brad Listi
| February 6, 2019
Best Reviewed
Books of the Week
Ten Thoughts on Having Your Novel Translated into Your Native Tongue
By
Johannes Lichtman
| February 5, 2019
In Praise of the Difficult: On Marianne Moore, Defiant Poet of Complexity
By
Gabrielle Bellot
| February 5, 2019
Karen Thompson Walker Talks Ishiguro, Saramago, and Hypochondria
By
So Many Damn Books
| February 5, 2019
Katharine Smyth: Forgetting Virginia Woolf
To Understand My Own Work I Had to Move Away From Hers
By
Katharine Smyth
| February 4, 2019
On the Destabilizing Brilliance of Robert Coover's "The Babysitter"
Or, How to Accept the Pain of Not Knowing
By
Emily Temple
| February 4, 2019
Poet, Artist, Erotic Muse of Mexico's Avant Garde: Rediscovering Nahui Olin
On the Life and Times of a True Iconoclast
By
Claire Mullen
| February 1, 2019
Sam Lipsyte on Cults, Wellness and Cutting Through the Dumb Noise
The Author of
Hark
in Conversation with Annie DeWitt
By
Annie DeWitt
| February 1, 2019
Empathy Exams: On Fictionalizing Extremists
One Writer’s Activism is Another Writer’s Terrorism
By
Tobias Carroll
| February 1, 2019
Designing My Characters' Homes Helps Me Write
On Planners, Plungers, and Different Approaches to Writing a Novel
By
Lisa Gornick
| February 1, 2019
Living Fernando Pessoa's Dreamlife in Lisbon
Saleem Haddad on Leaving London for Portugal's Melancholy Streets
By
Saleem Haddad
| January 31, 2019
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The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"