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Karen Joy Fowler on Decentering John Wilkes Booth in a Novel About His Family

Karen Joy Fowler on Decentering John Wilkes Booth in a Novel About His Family

The Author of Booth Talks to Jane Ciabattari

By Jane Ciabattari | March 22, 2022

How Do We Live with the Knowledge That We'll Die?

How Do We Live with the Knowledge That We'll Die?

The Lit Century Podcast Reads The Denial of Death

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How Does Language During Sex Translate Across Cultures?

How Does Language During Sex Translate Across Cultures?

Polly Barton on the Way We Communicate in the Bedroom

By Polly Barton | March 22, 2022

72 Hours in Philly: The Writers’ Guide to AWP 2022

72 Hours in Philly: The Writers’ Guide to AWP 2022

Eat, Drink, Buy Books, and Be Merry

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When People Assume Your Fiction is About Your Life

When People Assume Your Fiction is About Your Life

Alejandro Varela on the Everlasting Struggle of Writers to Explain Otherwise

By Alejandro Varela | March 22, 2022

Oscars Best Picture Spotlight: What to Read (and Watch) If You Liked <em>Belfast</em>

Oscars Best Picture Spotlight: What to Read (and Watch) If You Liked Belfast

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“I wish you a sexy, dangerous, jazz-shaped immortality.“ Diane Seuss’s Advice for Life as a Writer

“I wish you a sexy, dangerous, jazz-shaped immortality.“ Diane Seuss’s Advice for Life as a Writer

Read Her Commencement Address to the Bennington Writing Seminars

By Diane Seuss | March 21, 2022

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Why We Need More Writers Practicing Medicine (and Vice Versa)

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Xi Chen Looks at Two Unexpectedly Intertwined Professions

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Every Coming-of-Age Story is an Apocalypse Story

Every Coming-of-Age Story is an Apocalypse Story

Andrew DeYoung on Despair and Hope in the Edgelands of Adulthood

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On the Fever Dream Brilliance of Harry Crews

On the Fever Dream Brilliance of Harry Crews

Kevin Wilson Considers What It Means to Be a Southern Writer

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The Mermaid, C'est Moi: Rewriting the Story of a Universal Myth

The Mermaid, C'est Moi: Rewriting the Story of a Universal Myth

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