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Craft and Criticism
Rivka Galchen: How Writing My Novel Helped to Self-Medicate Through the Pandemic
This Week on
The Maris Review
By
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The Year That Elon Musk Became Vladimir Putin: How We Lost All Our Moral Illusions About Big Tech in 2022
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China in 2022: A Crack in Xi Jinping’s Leninist Authoritarianism?
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The Biggest Literary Stories of the Year: 30 to 11
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Literary Hub
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Big Names in Little Magazines: On Thomas Pynchon’s Very First Literary Journal Appearance
Nick Ripatrazone Goes Deep into the Literary Journal Archives
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Hervé Tullet Reflects on a Career of Creating Creatively Unconventional Children’s Literature
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The Case for Climate Reparations: Our Environmental Crisis Isn’t a “Villainless Crime”
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Kate Mosse, Lucy Foley and Ella Berthoud Discuss
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From Damian Barr’s
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From Colleen Hoover to New York's New Wage Transparency Law: The Good News For Women About 2022
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Should Stanford and Harvard Really Be Naming Fellowships and Academic Chairs in Honor of Nazi War Criminals?
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How Joe Biden's "Supply Side Progressivism" Has Actually Made 2022 A Good Economic Year For Most Americans
J. Bradford DeLong in Conversation with Andrew Keen on
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Yes, 2022 Was a "Pivotal" Year in International Politics. Yet We Still Don't Know How the World Will Dramatically Tilt in 2023.
Charles Kupchan in Conversation with Andrew Keen on
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How to Empower Truly Rebellious Entrepreneurs to Do Good in the World
Alejandro Crawford in Conversation with Andrew Keen on
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Crime and the city: Harbin, China
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Wole Talabi
Bobcats, "Twin Peaks," deer: What influenced Gabrielle Lucille Fuentes' new novel
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Gabrielle Lucille Fuentes
The Best Reviewed Books of the Week
"A vivid, sometimes grisly, sometimes enraging portrait of 19th-century British society ... Probing and excellent."