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  • Craft and Criticism
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Jessamine Chan on Writing the Weird Book She Wanted to Write

Jessamine Chan on Writing the Weird Book She Wanted to Write

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | April 5, 2022

Kaitlyn Greenidge on Toni Morrison, Karen Tei Yamashita, Melissa Broder, and More

Kaitlyn Greenidge on Toni Morrison, Karen Tei Yamashita, Melissa Broder, and More

Rapid-fire Book Recs from the Author of Libertie

By Book Marks | April 5, 2022

Defying Classification: An Introduction to Southeast Asian Speculative Fiction

Defying Classification: An Introduction to Southeast Asian Speculative Fiction

Victor Fernando R. Ocampo Recommends the Best of a Growing Genre

By Victor Fernando R. Ocampo | April 4, 2022

The 1990s: A Surreal (and Sociopathic?) Era in America

The 1990s: A Surreal (and Sociopathic?) Era in America

Candice Wuehle on Books That Remember (and Resist) a Weird Moment in This Country

By Candice Wuehle | April 4, 2022

Douglas Stuart on Masculinity and the Long Literary Tradition of the Gang Novel

Douglas Stuart on Masculinity and the Long Literary Tradition of the Gang Novel

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | April 4, 2022

The Challenges and Pleasures of Helping Quincy Jones Tell His Life Story

The Challenges and Pleasures of Helping Quincy Jones Tell His Life Story

Patricia Mulcahy on Collaborating with a Musical Icon

By Patricia Mulcahy | April 4, 2022

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Announcing the Winners of the 2022 O. Henry Prize for Short Fiction

By Literary Hub | April 4, 2022

What Literary Techniques Did Sigmund Freud Employ?

By History of Literature | April 4, 2022

How to Fix the Future of Our Intangible Economy

By Keen On | April 4, 2022

Morris Gleitzman on Crafting Moving Audiobooks for Young Readers

Morris Gleitzman on Crafting Moving Audiobooks for Young Readers

In conversation with Jo Reed on the Behind the Mic Podcast

By Behind the Mic | April 4, 2022

Patti Callahan on Graham Greene, Mary Kay Andrews, and <em>Women Who Run With Wolves</em>

Patti Callahan on Graham Greene, Mary Kay Andrews, and Women Who Run With Wolves

Rapid-fire Book Recs from the Author of Surviving Savannah

By Book Marks | April 4, 2022

How the Looting of Public Goods Is Destroying American Democracy

How the Looting of Public Goods Is Destroying American Democracy

Donald Cohen in Conversation with Andrew Keen

By Keen On | April 4, 2022

Why the Path to a Livable Future Is Becoming Narrower and Narrower

Why the Path to a Livable Future Is Becoming Narrower and Narrower

Eugene Linden in Conversation with Andrew Keen

By Keen On | April 4, 2022

Why We Live in the Age of Cyberwarfare Without Even Knowing It

Why We Live in the Age of Cyberwarfare Without Even Knowing It

Sameet Mehta in Conversation with Andrew Keen

By Keen On | April 4, 2022

How America’s Foremost Propagandist of Entry Into WWI Was an Imposter

How America’s Foremost Propagandist of Entry Into WWI Was an Imposter

Mark Arsenault in Conversation with Andrew Keen

By Keen On | April 4, 2022

The Literary Film and TV You Need to Stream in April

The Literary Film and TV You Need to Stream in April

It's a Gritty Month on the Small Screen

By Eliza Smith | April 1, 2022

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    • The Backlist: Reading John le Carré's 'The Little Drummer Girl' with I.S. BerryOctober 24, 2025 by Polly Stewart
    • Guillermo del Toro's New Frankenstein Adaptation is Life-GivingOctober 24, 2025 by Olivia Rutigliano
    • Bestsellers to Blockbusters: Stephen King Reflects on the Adaptations of His WorkOctober 23, 2025 by Stephen King
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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