Literary Hub
Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Literary Criticism
Ali Smith on the Prescient Genius of J.G. Ballard
Super-Cannes
: A Perfect Novel of the Millenium
By
Ali Smith
| December 28, 2017
Is
Emmet Otter's Jug-Band Christmas
a Work of Genius?
On Russell and Lillian Hoban, Giants of 20th-Century Children's Literature
By
Rebecca Rego Barry
| December 20, 2017
The Privilege of Plotlessness
Lynn Steger Strong on Reading About Rich People While the World Burns
By
Lynn Steger Strong
| December 18, 2017
A Close Reading of the Best Opening Paragraph of All Time
From Shirley Jackson's
We Have Always Lived in the Castle
, of course
By
Emily Temple
| December 15, 2017
The Bloody Catharsis of Femme Revenge
Seeking Out Stories of Women Who are Finished Rising Above
By
Emma C. Eisenberg
| December 13, 2017
Against the Bad Sex in Fiction Award
A Critically Misguided (and Ultimately Meaningless) Tradition
By
TD Storm
| December 12, 2017
Best Reviewed
Books of the Week
Rebecca Solnit on Women's Work and the Myth of the Art Monster
By
Rebecca Solnit
| December 12, 2017
Revelations Upon Learning Kafka's Niece Knows My Name
By
Gennady Aygi
| December 12, 2017
Why Is the Internet in an Uproar Over a Single Short Story?
By
Emily Temple
| December 11, 2017
A Boeuf Bourguignon for the End of the World
On War, Satire, and the Novels of Irène Némirovsky
By
Patrick Nathan
| December 11, 2017
Why I Hate Christmas (But Love Songs About Hating Christmas)
Why the Most Wonderful Time of the Year Can Be Pretty Damn Sad
By
Peter Blauner
| December 11, 2017
Reading Kobo Abe with One Eye on Edgar Allan Poe
Scott Beauchamp on the Literary Transmission of Mystery
By
Scott Beauchamp
| December 11, 2017
How
Heart of Darkness
Revealed the Horror of Congo's Rubber Trade
Conrad's Novel Led to Investigation (and Legislation) of Human Rights Abuses
By
Maya Jasanoff
| December 7, 2017
Ursula K. Le Guin: Who Cares About the Great American Novel?
Against a Uselessly Competitive, Hopelessly Gendered Concept
By
Ursula K. Le Guin
| December 6, 2017
Against the Attention Economy: Short Stories Are Not Quick Literary Fixes
Brandon Taylor, in Praise of Slow Reading
By
Brandon Taylor
| December 6, 2017
Whatever Happened to the Ecstasy of Art?
Arts Policy, Like All Policy, is Now Dominated by the Language of Managerialism
By
Jules Evans
| December 6, 2017
« First
‹ Previous
310
311
312
313
314
315
316
317
318
Next ›
Last »
Page 314 of 342
Doubles and Doppelgangers in a World in Crisis
October 15, 2025
by
Nicholas Binge
Teens Turned into Detectives: Six Novels Featuring Young and Amateur Sleuths
October 15, 2025
by
Tom Ryan
Why Romance and Horror Make a Happily Ever After
October 15, 2025
by
Trilina Pucci