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5 Reasons Why a Writer Should Move to Vancouver

5 Reasons Why a Writer Should Move to Vancouver

And Healthcare Isn't Even One of Them

By Ludmila Leiva | July 26, 2017

Reading Across America: Storytelling on a Mountain and in Caves

Reading Across America: Storytelling on a Mountain and in Caves

Bringing Literature to Griffith Park, One of the Most Miraculous Spots in LA

By Sara Finnerty | July 26, 2017

Why Write a Musical About the Brontës?

Why Write a Musical About the Brontës?

Dramatizing a Family Rife With Intrigue, Illicit Romance, and Fierce Feminism

By Katie Palmer | July 26, 2017

The Time Murakami Met Carver (and Other Literary Meet-Cutes)

The Time Murakami Met Carver (and Other Literary Meet-Cutes)

Famous Writers in the Wild, Talking to Each Other

By Emily Temple | July 25, 2017

So You've Decided to Write: Will You Tell the Truth?

So You've Decided to Write: Will You Tell the Truth?

Terry McDonell on the Deal All Writers Have to Make With Themselves

By Terry McDonell | July 25, 2017

Reading Aloud With Others Is More Important Than You Think

Reading Aloud With Others Is More Important Than You Think

A Brief History of Social Reading

By Abigail Williams | July 25, 2017

Best Reviewed
Books of the Week

  • Go Gentle
  • The Palm House
  • Lázár
  • Rasputin: The Downfall of the Romanovs
  • Famesick: A Memoir
  • Where the Music Had to Go: How Bob Dylan and the Beatles Changed Each Other--And the World

Visiting the Actual Island That Inspired Neverland

By John Pielmeier | July 24, 2017

Why Write a Novel About Teenage Suicide?

By Sharon Solwitz | July 21, 2017

So You've Decided to Write: On Editing James Salter

By Terry McDonell | July 20, 2017

So You've Decided to Write: Take Advantage of Your Insomnia

So You've Decided to Write: Take Advantage of Your Insomnia

Terry McDonell on the Importance of Taking Nighttime Notes

By Terry McDonell | July 19, 2017

So You've Decide to Write: What I Learned Editing Hunter S. Thompson

So You've Decide to Write: What I Learned Editing Hunter S. Thompson

Terry McDonell on the Origin of 'Gonzo' and Late Night Calls from Hunter

By Terry McDonell | July 18, 2017

The Intimacy of Writing in the Second Person, in a Bar

The Intimacy of Writing in the Second Person, in a Bar

"Never the Third Person. . . You Are Far Too Close for That"

By Mairead Small Staid | July 14, 2017

How to Turn Your Debut Novel In 13 Years Late

How to Turn Your Debut Novel In 13 Years Late

Becoming a Cautionary Tale—and Overcoming It

By Gabe Hudson | July 13, 2017

So You've Decided to Write: What I Learned From Editing Jim Harrison

So You've Decided to Write: What I Learned From Editing Jim Harrison

Part Three of Terry McDonell's Summer Series on Becoming a Writer

By Terry McDonell | July 13, 2017

So You've Decided to Write: When to Drown Your Darlings

So You've Decided to Write: When to Drown Your Darlings

Part Two in Terry McDonell's Summer Series on How to Be a Writer

By Terry McDonell | July 12, 2017

How Thoreau (And My Father) Taught Me That Literature is a Public Good

How Thoreau (And My Father) Taught Me That Literature is a Public Good

"This Function is as Vital as Air, as Vital as Water"

By Kristen Case | July 12, 2017

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