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Jeff VanderMeer on Keeping Creative Play Alive

Jeff VanderMeer on Keeping Creative Play Alive

"Different forces are at work today with regard to the imagination."

By Jeff VanderMeer | September 3, 2021

Exploring the “Hidden Figures” of the WWII Women’s Army Corps

Exploring the “Hidden Figures” of the WWII Women’s Army Corps

Kaia Alderson on the Books That Shaped Her Debut Novel

By Kaia Alderson | September 3, 2021

The Ambiguous Loss of (Probably) Not Selling My Novel

The Ambiguous Loss of (Probably) Not Selling My Novel

Danielle Lazarin on Life and Art in the Liminal Spaces Between Grief and Hope

By Danielle Lazarin | September 2, 2021

Lauren Sandler on Setting Up Ground Rules with Her Book Subjects

Lauren Sandler on Setting Up Ground Rules with Her Book Subjects

In Conversation with Jordan Kisner on the Thresholds Podcast

By Thresholds | September 1, 2021

Azareen Van der Vliet Oloomi on the Ambiguous and Unfolding Process of Healing

Azareen Van der Vliet Oloomi on the Ambiguous and Unfolding Process of Healing

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | September 1, 2021

Not Sure If Your Dialogue Is Any Good? Get an Actor to Perform It

Not Sure If Your Dialogue Is Any Good? Get an Actor to Perform It

Calvin Kasulke on Finding a Good Reason to Write Good Characters

By Calvin Kasulke | August 31, 2021

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • Homeschooled: A Memoir
  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

Mona Awad on the Duality and Universality of Shakespeare

By So Many Damn Books | August 31, 2021

Christine Mangan on the Delicate Balance of Crafting Suspense

By First Draft: A Dialogue on Writing | August 30, 2021

Bonnie Friedman on the Pleasure of Diving into Details

By Bonnie Friedman | August 27, 2021

Too Close To Home: Writing a Book That Your Parents Won’t Read

Too Close To Home: Writing a Book That Your Parents Won’t Read

Michelle Jana Chan on the Power of Family to Shape Your Own Narrative

By Michelle Jana Chan | August 27, 2021

How an Irish Syntactical Peculiarity Helped Me Find My Protagonist’s Voice

How an Irish Syntactical Peculiarity Helped Me Find My Protagonist’s Voice

Kia Corthron on the Challenges of Dialect in Historical Fiction

By Kia Corthron | August 27, 2021

Jose Hernandez Diaz on the Surrealism of Prose Poetry

Jose Hernandez Diaz on the Surrealism of Prose Poetry

This Week from The Common Podcast

By The Common | August 27, 2021

Wayne Koestenbaum Would Like to Thank Dreams and Nouns

Wayne Koestenbaum Would Like to Thank Dreams and Nouns

Some Advice for the Graduating Class of Bennington College
(and the Rest of Us)

By Wayne Koestenbaum | August 26, 2021

Matthew Salesses: If We’re Going to Tell Stories About the World, We Need to Make Better Decisions

Matthew Salesses: If We’re Going to Tell Stories About the World, We Need to Make Better Decisions

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | August 26, 2021

WATCH: Eve Gleichman and Laura Blackett in Conversation with Joshua Henkin

WATCH: Eve Gleichman and Laura Blackett in Conversation with Joshua Henkin

Hosted by Greenlight Bookstore

By The Virtual Book Channel | August 26, 2021

Katie Crouch in Praise of the Not-Perfectly-Plotted Novel

Katie Crouch in Praise of the Not-Perfectly-Plotted Novel

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | August 25, 2021

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    • The Rest of Our Lives
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    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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