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No Place You’d Want to Go: On Writing About Flint

No Place You’d Want to Go: On Writing About Flint

Kelsey Ronan Considers the Stories of a Home That Broke Her Heart

By Kelsey Ronan | March 15, 2022

Seasons of Scam: A Reading List of Fake Identities

Seasons of Scam: A Reading List of Fake Identities

Caitlin Barasch Recommends Books About Deception and Reinvention

By Caitlin Barasch | March 15, 2022

Mapping the Unknown: Literary Defamiliarization in Our Pandemic Era

Mapping the Unknown: Literary Defamiliarization in Our Pandemic Era

Gabrielle Bellot on Viktor Shklovsky, the Risk of Life, and Art as a Way of Reencountering

By Gabrielle Bellot | March 14, 2022

After <em>How to with John Wilson</em>, Will More Filmmakers Use the Tools of Lyric Essay?

After How to with John Wilson, Will More Filmmakers Use the Tools of Lyric Essay?

Matthew King on the Genre-Bending Portrait of Public Life

By Matthew King | March 14, 2022

“I am Never Too Busy to Think of S&S.” On Jane Austen's <em>Sense and Sensibility</em>

“I am Never Too Busy to Think of S&S.” On Jane Austen's Sense and Sensibility

From The History of Literature Podcast with Jacke Wilson

By History of Literature | March 14, 2022

Making Space for Mistakes and Experiments, in Marriage and Writing

Making Space for Mistakes and Experiments, in Marriage and Writing

Francesco Pacifico on Writing (and Revising) Female Characters

By Francesco Pacifico | March 14, 2022

Best Reviewed
Books of the Week

Finding the Kinship Between Manifestations of Creativity and Depression

By Gia de Cadenet | March 14, 2022

Lan Samantha Chang on Teaching, Tone, and Literary Generations

By First Draft: A Dialogue on Writing | March 14, 2022

In The Last Days of Ptolemy Grey, Samuel L. Jackson Plays the Role of a Lifetime

By Olivia Rutigliano | March 11, 2022

John Clellon Holmes on the Funeral of His Longtime Friend Jack Kerouac

John Clellon Holmes on the Funeral of His Longtime Friend Jack Kerouac

“I hoped that no one would ever mourn me so self-centeredly.”

By John Clellon Holmes | March 11, 2022

Bring Back the Vibes of <em>Howards End</em>, You Cowards

Bring Back the Vibes of Howards End, You Cowards

On the Film's 30th Anniversary, Sara Batkie Praises Merchant Ivory's Blueprint

By Sara Batkie | March 11, 2022

On the Centenary of Jack Kerouac’s Birth, Rarely Seen Archival Material from His Publisher

On the Centenary of Jack Kerouac’s Birth, Rarely Seen Archival Material from His Publisher

“You are right in thinking I am interested in Kerouac and his work.”

By Literary Hub | March 11, 2022

Austin Kleon Looks Back on the Creation of <em>Steal Like an Artist</em>, Ten Years Later

Austin Kleon Looks Back on the Creation of Steal Like an Artist, Ten Years Later

When the What-Ifs Become Real

By Austin Kleon | March 11, 2022

The More Personal the Joke, the Bigger the Laugh (and More Lessons from a Career in Cartoons)

The More Personal the Joke, the Bigger the Laugh (and More Lessons from a Career in Cartoons)

David Sipress on Comic Timing on the Stage and the Page

By David Sipress | March 11, 2022

Malcolm Gladwell on the Future of Audiobooks

Malcolm Gladwell on the Future of Audiobooks

Audiobooks, Podcasts, and Where the Two Meet

By Behind the Mic | March 11, 2022

EXCLUSIVE CLIP: Olivia Gatwood Reads Edna St. Vincent Millay’s “Sonnet IV”

EXCLUSIVE CLIP: Olivia Gatwood Reads Edna St. Vincent Millay’s “Sonnet IV”

From Season Three of Poetry in America

By The Virtual Book Channel | March 11, 2022

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